YOU WERE LOOKING FOR :Africas Cinematic History
Essays 211 - 240
In nine pages two stylistic modes Hollywood's classical narrative realism and modernist or avant garde are examined in terms of ho...
In nine pages the ways in which cinematic art changed surprisingly little during this time period despite some avant garde detours...
In six pages the horror film industry contributions of the cinematic 'Master of Suspense' and their impact are examined. Seven so...
In ten pages these cinematic melodramas of the Forties are examined in a discussion of meaning construction through class and gend...
In six pages this paper discusses how Plutarch and Shakespeare presented Julius Caesar in comparison to Joseph L. Mankiewicz's 195...
In six pages this paper compares the strong similarities between Kenneth Branagh's cinematic interpretation of Hamlet and Shakespe...
In five pages this paper examines the contemporary perspectives represented in the 1996 cinematic interpretation of William Shakes...
of capitalism, he looked for a medium which would best provide a creative outlet, as well as indulge in his interest in philosophy...
In twelve pages this paper considers the global cinematic dominance of the Hollywood studio system after the First World War. Nin...
sexually aggressive. In my own opinion, Mildred Pierce, Jezebel, The Postman Always Rings Twice-these were great tragedies about w...
This in-depth research paper puts forth the argument that the films of director Andrei Tarkovsky are best seen as cinematic poetry...
This paper addresses the growth of cinematic comedy. The author covers major works by Charlie Chaplin, The Three Stooges, Buster ...
In eight pages the roots of avant garde regarding film are argued to be in the visual arts as opposed to the narrative cinematic t...
In three pages this paper examines the filmmaker's various cinematic techniques and include elements such as utilizing teenage act...
In five pages this paper considers the film's parallels with Heart of Darkness by Joseph Conrad and also discusses influences of T...
Such cinematic techniques as mise-en-scene are discussed in a paper consisting of 6 pages as thematic and narrative expression are...
In a paper consisting of five pages the cinematic adaptations of Who's Afraid of Virginia Woolf, Much Ado About Nothing, and Sween...
Transylvanian aristocrat remained unchallenged for nearly twenty-seven years, and it was not until 1958, when the British actor Ch...
In five pages a cinematic analysis of Vittorio de Sica's 1948 film includes camera uses, production techniques and evaluates the e...
In eight pages the changes that occurred in the horror cinematic genre between 1960 and 1996 are examined in a contrast and compar...
In five pages this paper discusses the cinematic style of nonnarrative abstract developed by Kenneth Anger, underground filmmaker....
In six pages this paper examines politics in the United States and how it is portrayed in the novel and cinematic versions of Prim...
Experimental films are discussed in this research paper consisting of six pages with Lynch's feature debut the focus of considerat...
This paper examines the Fellini film, La Dolce Vita. The author discusses camera shots and angels, as well as design, decor, comp...
In three pages this paper discusses an epic in terms of characteristics and how thee are expressed in literature and on film in a ...
In six pages this research paper discusses 2 cinematic interpretations of The Canterbury Tales and argues that how filmmakers fail...
In four pages the novel and its film adaptation are thematically compared in terms of cinematic changes that were made. Six sourc...
the director and the male filmgoer) receive a sexual thrill from watching the victimization of women (Williams 706). As one of th...
Passage to India. However, his creative pinnacle is largely acknowledged to be the wildly successful (both critically as well as ...
in structuralist models, researchers often examine the underlying structures which occur beneath the actions or speech of the indi...