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Essays 511 - 540

Cinematic Influences of 1960s' Society

the story of twelve men (all stereotypical white and middle class) who by luck of the draw are brought together to deliberate the ...

Popular Culture, Cinematic Violence, and Media Literacy

to the family, children, political leadership, and sexuality" (Wee, 2006, p. 50). Links have been discovered between these violen...

Cinematic Version of Anthony Burgess' A Clockwork Orange and the Problems Faced by Director Stanley Kubrick

In eight pages this paper discusses the problems filmmaker Stanley Kubrick struggled with while making his big screen adaptation o...

Comparing Rudyard Kipling's Prose with John Huston's Cinematic Narrative in The Man Who Would Be King

In five pages the voices used in these very different ways of telling the same story are compared and contrasted in terms of artis...

Strategic Cinematic Marketing

In eight pages this paper examines innovative marketing strategies for films with The Blair Witch Project as a recent example of a...

Cinematic Depiction of Deviance

In eleven pages this paper discusses how deviance is cinematically depicted in such films as Leaving Las Vegas and One Flew Over t...

U.S. Society and Cinematic Stereotypes of Hispanics

In five pages this paper considers how Hispanics have been stereotyped by American society and how cinema has perpetuated this dis...

The Seventh Seal and Cinematic Symbolism of Director Ingmar Bergman

In five pages this paper analyzes the symbolism Ingmar Bergman employed for existentialist effect in his 1957 film The Seventh Sea...

The Apostle, Wise Blood, and Cinematic Faith

In ten pages this paper examines the types of faith represented in these films along with a comparison with Flannery O'Connor's no...

Cinematic Screwball Comedies and Their Evolution

In eighteen pages the screwball comedy is examined in terms of its history and evolution with a discussion of their intentions alo...

Three Decades of Cinematic Representations of Their Respective Times

In six pages this report analyzes how Gold Diggers of 1933, Casablanca, and Invasion of the Body Snatchers each represent their re...

Cinematic Portrayals of Human Rights Offenses

In five pages this paper examines how public awareness of human rights' offenses was heightened by the shocking abuses featured in...

Cinematic Comparative Analysis of L'Avventura and Sleepless in Seattle

narrative style. With Sleepless there is a sense of desperation as lives are changing. In LAvventura there is a real desperate sit...

The Bourne Identity Cinematic Analysis

to tell what might appear on first glance to be a tired old story. First, there is the scintillating color that enables the film ...

MGM and Universal's Cinematic Styles

their advertising campaigns asserted) more stars than there are in the heavens" (The Thin Man, 1995). Mordden (1988) asks, "What, ...

Once Were Warriors Cinematic Marxist Analysis

yield a very different analysis. In the film, Jake is unemployed. The family lives off the dole but it seems that whatever money...

European Cinematic Depiction of Gender from the 1920s to the Twenty First Century

story, mise-en-scene, editing, and music, they collectively provide a common theme that speaks of the uniqueness of the feminist e...

The History of Cinematic Comedy

parodies American consumer culture as evidenced by the hilarious scene when grilled cheese sandwiches and coleslaw are ordered for...

Object v. Spectator Types of Cinematic Gaze

is completely unique and no two are alike. Therefore, what takes place is a kind of power struggle between the subject and the ob...

Mel Gibson's Cinematic Interpretation of William Shakespeare's Hamlet

(like Mel Gibson in the 1991 film) has no interest in playing him as an apologetic mope" (Ebert). In the written play there is a...

Cinematic Depiction of Aliens

depicts the aliens as beings who represent communism and the fear of being consumed by such "thought." The aliens in this film ...

Cinematic Analysis of Singin' in the Rain

part of the scene while also seeing the entire dance routine. In many films of dancing the direction may not be on the long sho...

Cinematic Analysis of Singin' in the Rain

the long view where we can see the entire dance. This is often seen in present day films about dance where it seems the performers...

Cinematic Comedies and Sound's Role

theater, they rolled a cannon ball down a wooden trough that then fell onto a large drumhead (Brunelle, 1999). In films, sound eff...

Cinematic Portrayal of Aliens

that the alien is given a sexual orientation. In the second movie of this series the alien is a Queen whose main goal (besides des...

Detailed Cinematic Analysis of American Beauty

of confines. The overall metaphor of this movie is the symbol of the rose. At one point a neighbor asks how the roses are grown s...

William Shakespeare's Othello Cinematic Adaptations

box office. Welles was a product of his time and though he had tremendous creativity when it came to camera angles and budgets,...

Overview of the Western Cinematic Genre

Battle of Summit Springs, a reenactment that showcased Cody rescuing poor white damsel Indian captives in distress (Buscombe 286)....

Orson Welles' Citizen Kane and Frank Capra's Meet John Doe Cinematic and Comparative Analysis

tight close-up (Dirks, 1996). There is a menacing "No Trespassing" sign outside an old gate, and after panning up over a chain-li...

Empire Records Cinematic Analysis

Music Town. With $9,000 of store receipts in his pocket, Lucas goes to Atlantic City in hopes of parlaying that into enough money...