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Essays 451 - 480

Race Aspects in William Shakespeare's Othello

In five pages the blackness of Othello the Moor is considered on various levels. Five sources are listed in the bibliography....

William Shakespeare's A Midsummer Night's Dream and Foolishness

In six pages the foolishness of characters Lysander, Hermia, Demetrius, Helena, Oberon, and Titania as presented by Shakespear are...

Three Science Fiction Novels and Intelligent Machines

In five pages this paper analyzes how intelligent machines are featured in Galatea by Richard Powers, Neuromancer by William Gibso...

Analysis of Gustave Flaubert's Madame Bovary and William Shakespeare's King Lear Act I

In five pages there are four questions answered in an analysis of how metaphor and imagery are employed in these two literary work...

Character Relationships, William Shakespeare's A Midsummer Night's Dream and 'the Play Within the Play'

In six pages this paper examines the 'play within the play' involving the character relationships of famous Shakespearean couples ...

Choosing a Mate in William Shakespeare's Romeo and Juliet and Taming of the Shrew

In eight pages this paper examines the process of marital selection that is featured in these 2 plays by William Shakespeare. Fiv...

Dramatic Irony in William Shakespeare's Much Ado About Nothing and The Taming of the Shrew

In three pages this paper analyzes how Shakespeare employed dramatic irony in these 2 plays. There are no other sources listed....

Identity in William Shakespeare's Measure for Measure and Hamlet

In five pages this paper examines the power of identity in the similarities and differences that exist among characters Mariana in...

Analysis of William Shakespeare's Romeo and Juliet, Hamlet, and Sophocles' Oedipus

In six pages this research paper contrasts and compares these works by Shakespeare and Sophocles in terms of tragic themes and iro...

Coercion and Liberation in William Shakespeare's All's Well That Ends Well and The Tempest

In six pages this paper discusses character pairs and how they work within the structure of these two plays by William Shakespeare...

Conflicts Rooted in Anger in William Shakespeare's Tragedies King Lear, Hamlet, and Othello

In three pages the emotional conflicts that are based in anger are examined in terms of the protagonists behavior' and the importa...

William Shakespeare's Use of Sexuality in the Plays Antony and Cleopatra, Hamlet, and Othello

In twelve pages this paper examines how sexuality is thematically portrayed in these plays in terms of obsession, interracial love...

Lower Social Classes in William Shakespeare's Julius Caesar and A Midsummer Night's Dream

In eight pages this paper analyzes the plebeians featured in Julius Caesar and the rude mechanicals in A Midsummer Night's Dream i...

Russ McDonald's 'Presentational Theater' and William Shakespeare's Coriolanus, Hamlet, and Othello

This paper consists of five pages in which Russ McDonald's 'presentational theater' theory is used to analyze illustrations from S...

Overview of William Shakespeare's Much Ado About Nothing

In nine pages this Shakespeare comedy is analyzed in terms of its meaning, structure, theme, plot, and colloquial prose usage. Se...

Evil and the Great Britain of William Shakespeare's King Lear

In ten pages this paper discusses the three groups of characters, the dual plots, and the evil of Great Britain that are featured ...

Double Plot Analysis of William Shakespeare's King Lear

In five pages the dual plots that propel the action of King Lear by William Shakespeare, those of Lear and his daughters and Glouc...

William Shakespeare's King Lear and the Fool Character

In five pages this paper examines the dramatic function of the Fool in King Lear by William Shakespeare. There are no other sourc...

William Shakespeare's King Lear and the Disguise Motif

In five pages this paper examines Shakespeare's use of the disguise motif and how deception and disguises manifest themselves in b...

Soliloquy of Goneril in William Shakespeare's King Lear

In four pages this paper discusses Goneril's justification for the hardships she inflicted upon her father, sisters, and husband i...

Appearances versus Reality in William Shakespeare's King Lear

In six pages the dual nature of King Lear is analyzed in a thematic comparison that features the conflict of appearances vs. reali...

General Analysis of William Shakespeare's 'MacBeth'

The powerful themes of temptation, guilt, heresy, and prophecy as they lend to the play's overall effectiveness are considered in ...

Setting the Stage for Imagery and Violence in William Shakespeare's Macbeth

In six pages this paper examines how the stage for violence is set through imagery in this tragic play by William Shakespeare in a...

Good v. Evil Theme in William Shakespeare's Macbeth

In six pages this paper examines the thematic conflict of good versus evil as it manifests itself in this tragic play by William S...

Act 2, Scene 4 of William Shakespeare's 'Measure For Measure'

Isabella's soliloquy directed to Angelo is the focus of this 3 page paper to determine its thematic relevance. There are no addit...

William Shakespeare's The Merchant of Venice and the Concepts of Justice and Law

In five pages this paper discusses how the concepts of law and justice are featured in the play's famous courtroom scene. There a...

William Shakespeare's The Merchant of Venice and Anti Semitism

In five pages the anti Semitic portrayal of Shylock, the Jewish moneylender in Shakespeare's play is examined in terms of providin...

Prospero's Treatment of Caliban and Ariel in William Shakespeare's The Tempest

In 5 pages the similarities and the differences between the ways in which Prospero treats servants Ariel and Caliban in The Tempes...

Love and William Shakespeare's Taming of the Shrew

In five pages this essay contrasts 2 of the speeches made by Katherina in the play in an analysis that argues Petruchio's abuse is...

Characterization and Effect in William Shakespeare's Twelfth Night

everybody. Laughter in this play has a healing effect. Revenge is achieved not by fighting (not by serious fighting, anyw...