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Essays 211 - 240

Subtitle Significance of 'The Modern Prometheus' in Mary Shelley's Frankenstein

understand the consequences of what he has done, and this is reflective of Prometheus who also had no idea what he was really doin...

Mary Shelley's Victor Frankenstein Characterization

to life, he rejects it, hoping that the life he has brought into the world will simply die, erasing his mistake (Madigan 48; Franc...

Victor Frankenstein, The True Monster in Mary Shelley's Frankenstein

would probably have forced him to consider the ramifications of his work. But since he has no one to answer to save his own opin...

Comparative Analysis of Mary Shelley's Frankenstein and Gustave Flaubert's Madame Bovary

In five pages this paper contrasts and compares these two works in terms of word usage and body concepts. Two sources are cited i...

Films Based on Mary Shelley's Frankenstein

novel. However, the film adaptation was to have the monster say nothing at all, something which led Lugosi to declining the part. ...

Mary Shelley's Frankenstein, Emily Bronte's Wuthering Heights, and Individuality

enough within the character of Catherine to urge her to marry for money and social position, rather than innocent or passionate lo...

Mary Shelley's Dr. Victor Frankenstein, Joseph Conrad's Kurtz and Human Personality

In five pages this paper applies the human personality theories of Sigmund Freud to an analysis of these two classic literary char...

Elegies of Shelley's 'Adonais' and Wordsworth's 'The Ruined Cottage' Compared

of grief and the resolution of this grief while still be aligned with the intense imagery presented in the Romantic works (Brigham...

Mary Shelley's Frankenstein and the Conflict Between Man and God

up in a "freethought household" (Madigan 48) and her mother had already written about womens rights while her father "a noted Util...

Thematic Similarities in Shelley's Frankenstein and Conrad's Heart Of Darkness

of lightning in the clouds. We live in the flicker -- may it last as long as the old earth keeps rolling!" (Conrad PG)....

Karl Marx and Mary Shelley's Frankenstein Creature

predicted in his Communist Manifesto that the inevitable overthrow of the bourgeoisie by the proletariat would first succeed in a ...

Literature and the Creature in Mary Shelley's Frankenstein

seen in any other character in the novel. He began to see that he was different, and not human. Then he came upon a bundle that...

Neoclassical and Romantic Themes in Mary Shelley's Frankenstein

a calm and peaceful mind and never to allow passion or a transitory desire to disturb his tranquility" (42). As this suggests, an ...

Defense of the Monster in Mary Shelley's Frankenstein

Monster, who is Frankensteins technological "son." While having the stature of a full-grown adult. Shelley makes it clear that the...

Overview of Mary Shelley's Frankenstein, or the Modern Prometheus

In five pages this paper considers contemporary cloning within the context of the Gothic novel by Mary Shelley. Three sources are...

Aldous Huxley's Brave New World, Mary Shelley's Frankenstein, and Ethics

In eight pages ethical dilemmas such as cloning and genetic engineering are examined within the context of these two classic works...

Biblical Adam and the Creature in Mary Shelley's Frankenstein

In 7 pages these two creations are compared in terms of the intentions of their creators and the reactions they inspired with God ...

English Romanticism in Mary Shelley's Frankenstein

underpinning of romanticism, the innocence and exaltation of the common man. The auto biographical nature of Mary Shellys Fr...

Creation of Life in Mary Shelley's Frankenstein

In five pages this paper argues that Victor Frankenstein steadfastly refuses to feel any type of guilt or regret regarding his sci...

An Analysis of The Creature in Mary Shelley's Frankenstein

draws from his experience. His first introduction to fire, for example, results in his knowledge that the same element that can p...

Jean Jacques Rousseau's Confessions, Mary Shelley's Frankenstein and the Elements of Autobiography

In a paper consisting of five pages Barbara Johnson's theory that autobiography involves a child's narrative as symbolically killi...

Stevenson's Dr. Jekyll and Mr. Hyde Vs. Mary Shelley's Frankenstein

This paper compares and contrasts these two classic literary works. This seven page paper has eight sources listed in the bibliog...

Questing in Mary Shelley's Frankenstein and D.H. Lawrence's The Virgin and the Gipsy

In five pages this paper analyzes how these two literary works portray the notion of 'the quest.' There are no other sources list...

A Critical Analysis of Mary Shelley's Frankenstein

to her writing to make a living. She also received a small stipend from Shelleys family against his inheritance. Mary spent the ...

Scientific Negativity in Mary Shelley's Frankenstein

claim that advances in the field would enhance quality of life as it could eradicate genetic disease, for example (Castle PG). It ...

Mary Shelley's Frankenstein and Director James Whale's 1931 Film Interpretation

In five pages the original nineteenth century novel by Mary Shelley is compared with the 1931 cinematic production by director Jam...

Mary Shelley's Frankenstein

in the first place. Frankenstein has two obvious choices. He can say I was not thinking of the Creature and was consumed by his ...

'Female Monster' in Mary Shelley's Frankenstein

the position and the importance of the position, played by the female monster. In the main character, Victor Frankenstein, we a...

Mary Shelley's Victor Frankenstein as an Extension of His Own Creation

The protagonist of Frankenstein by Mary Shelley is the subject of this character analysis that includes Sigmund Freud's doubling p...

Fear Levels in Mary Shelley's Frankenstein

of my being" (Frankenstein). As with any newborn, his sensory impressions of the world are at first indistinct. He began to attemp...