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Essays 61 - 90

The Concept of Time in Woolf and Wilde

can do no wrong, which makes her introduction to the novel somewhat gooey and overwrought. However, she does point out that Woolf ...

Modernist Literature and Definitive Characteristics

In nine pages this paper examines the definitive characteristics of modernist literature in a consideration of works by Virginia W...

Turn of the Century Feminism as Seen in Chopin and Woolf

This paper compares and contrasts two short stories by Kate Chopin and Virginia Woolf, written around the turn of the Twentieth Ce...

Short Story Mimetics and Verisimilitude

By the time we reach mid story, and the speech of Stella-Rondo, we have suspended disbelief, as we might in good theater, and bel...

Relationships in Who's Afraid Of Virginia Woolf? by Edward Albee

This paper presents a character analysis of George and Martha in Edward Albee's Who's Afraid of Virginia Woolf in five pages with ...

Mrs. Dalloway by Virginia Woolf and the Characters of Clarissa and Septimus

In five pages this paper examines the characters in this Virginia Woolf novel in terms of how they reflect changing social moods o...

Cinema and Aristotelian Considerations

In a paper consisting of five pages the cinematic adaptations of Who's Afraid of Virginia Woolf, Much Ado About Nothing, and Sween...

Codependency and To the Lighthouse by Virginia Woolf

Iin seven pages this paper examines the codependent relationship between the Ramsays in To the Lighthouse by Virginia Woolf. Ther...

Bernard's Importance to The Waves by Virginia Woolf

point: "Thus my character is in part made of the stimulus which other people provide, and is not mine, as yours are" (267). It s...

Modernity in To the Lighthouse by Virginia Woolf

Realism issues and the modernity concept are examined in this analysis of To the Lighthouse by Virginia Woolf consisting of five p...

Married Couples in Who's Afraid of Virginia Woolf by Edward Albee

In five pages this paper contrasts and compares the married couples George and Martha, Nick and Honey in this analysis of Who's Af...

Nineteenth Century Prejudices and Obstacles Against Women in the Workplace

In five pages this paper discusses the formidable obstacles that have been in place preventing women from achieving professional e...

Rebecca West, Virginia Woolf, and Characters 'Under the English Queen Mother's Umbrella

This discussion topic focuses on Rebecca West and Virginia Woolf and consists of nine pages. Eight sources are cited in the bibli...

'The Waves' by Virginia Woolf and Its Modernist and Gender Implications

In six pages this paper examines the gender and modernist implications of this work by Virginia Woolf. Three sources are cited in...

Edward Albee's Play Tiny Alice and Its Critical Reception

plot, he said that he could not possibly relate what went on during the three-hour production (Kolin and Davis 19). Author Philip ...

A Room of One's Own by Virginia Woolf and Voice as a Literary Device

stone, but by the relation of human being to human being" (71). She then takes on the voice of an advocate for the rights of wome...

Literature and Reality

In twelve pages this paper examines how reality is perceived in the literary works Jazz by Toni Morrison, Waiting for Godot by Sam...

Modernist Themes in 'Death in Venice' and 'Mrs. Dalloway' Compared

Complex inner feelings and emotions as conveyed by modernist authors Thomas Mann and Virginia Woolf are compared and contrasted al...

Mann, Gide, Kafka, Woolf, and Modernism

It was realistic, but the writing was complicated and required the reader to become intimately involved with the subject matter. ...

Literary Modernism in the Works of Virginia Woolf and T.S. Eliot

(Longman, 2001). Others, however, bravely forged away from tradition and convention. Longman (2001, PG) notes:...

Comparative Analysis of Protagonists in The Prime of Miss Jean Brodie, Mrs. Dalloway, and A Room with a View

young woman who is constrained in her behaviour and her attitudes by social and family ties, but who is eventually able to break f...

To the Lighthouse by Virginia Woolf and Symbolic Representations

nurturing and a woman of some magical connection to the earth it would seem. When seen in this perspective we can note the influen...

Androgyny and Isolation in A Room of One's Own by Virginia Woolf

An androgynous individual relies upon social acceptance just the same as other more gender-specific people; when he or she receive...

Burkean Cluster Analysis of the Writings of Virginia Woolf

both in regard to the societal events and circumstances in which Virginia Woolf was embroiled and in regard to contemporary societ...

Characterization of Mrs. Ramsay in To the Lighthouse by Virginia Woolf

cannot go when he obviously want it so badly. James feels that his fathers sarcastic rejection of the idea of visiting the lightho...

Virginia Woolf's 'The Voyage Out,' 'Mrs. Dalloway,' and Homosexuality

she begins her voyage into public identity, she cannot survive the pressure of being brought out and seems uncannily to die of the...

Mary Wollstonecraft, Virginia Woolf, and Early Feminism

(Woolf, 2002). Written for a largely female readership over a hundred years after Wollstonecraft, Woolf can afford to be more cri...

Characters of Bertha and Clarissa Dalloway in Katherine Mansfield's Bliss and Virginia Woolf's Mrs. Dalloway

who thinks about her own weaknesses, yet also truly sees what she perhaps should be. We note how Clarissa, though strong and se...

Analysis of an Illuminating Moment in To the Lighthouse by Virginia Woolf

uses this seemingly trivial incident to delineate the nature of the relationships of the Ramsey family. Mrs. Ramsey is not so much...

Feminist Message in A Room of One's Own by Virginia Woolf

"linear narrative and instead went to an interior monologue, or stream of consciousness, technique"(Virginia Woolf, 2003). Woolfs...