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Essays 511 - 540
In five pages cinematic realism is compared and contrasted with film noir and surrealism with the focus being how in the film Ragi...
In five pages this paper presents an analysis of the 1942 motion picture The Magnificent Ambersons in an examination of director O...
In six pages a cinematic analysis of director Orson Welles' masterpiece Citizen Kane focuses upon the auteur's themes of capitalis...
This paper examines how women were depicted by William Shakespeare in his comedy A Midsummer Night's Dream in eleven pages with th...
and well-thought out film. This film makes us ask the question, however, about whether our United States Presidents truly have pe...
In six pages the 1996 film directed by Renny Harlin, written by Shane Black and costarring Geena Davis and Samuel L. Jackson is di...
In eight pages the roots of avant garde regarding film are argued to be in the visual arts as opposed to the narrative cinematic t...
In this paper consisting of eight pages this comedy duo's contributions to American humor is explored. There are four bibliograph...
In twelve pages this paper considers the global cinematic dominance of the Hollywood studio system after the First World War. Nin...
sexually aggressive. In my own opinion, Mildred Pierce, Jezebel, The Postman Always Rings Twice-these were great tragedies about w...
This in-depth research paper puts forth the argument that the films of director Andrei Tarkovsky are best seen as cinematic poetry...
In five pages this paper considers the film's parallels with Heart of Darkness by Joseph Conrad and also discusses influences of T...
no matter how precious we may believe ours to actually be. Some of Allens films are more consistently filled with the idea of l...
Such cinematic techniques as mise-en-scene are discussed in a paper consisting of 6 pages as thematic and narrative expression are...
In a paper consisting of five pages the cinematic adaptations of Who's Afraid of Virginia Woolf, Much Ado About Nothing, and Sween...
Transylvanian aristocrat remained unchallenged for nearly twenty-seven years, and it was not until 1958, when the British actor Ch...
In five pages a cinematic analysis of Vittorio de Sica's 1948 film includes camera uses, production techniques and evaluates the e...
A research paper addressing the portrayal of evil in Dante's Divine Comedy and Chaucer's Canterbury Tales. The author draws the c...
In six pages this research paper discusses 2 cinematic interpretations of The Canterbury Tales and argues that how filmmakers fail...
An observational essay dealing with the protagonist of Chaucer's House of Fame, Geffrey. The author asserts that the work is a pa...
In six pages this research paper considers alternative fuel sources as a solution to an ever increasing number of environmental pr...
In seven pages this comedy from the 17th century is examined with the argument presented that darker libertine ideals belie the se...
In four pages the novel and its film adaptation are thematically compared in terms of cinematic changes that were made. Six sourc...
In twelve pages this paper discusses how Shaw challenged prevailing social values in his comedies Man and Superman, Pygmalion, The...
In six pages the reasons why Dante elected to utilize himself as protagonist in 'Divine Comedy' are analyzed in a consideration of...
Divine Comedy is examined in six pages in terms of the tales 4 meaning levels, considers why Dante selected Beatrice as the primar...
In five pages these themes are examined as they are represented in Dante Alighieri's Divine Comedy and in the Bible. Five sources...
In five pages this paper speculates on how the Divine Comedy of Dante could be updated to reflect the various levels of hell such ...
In a paper consisting of nine pages the seriousness of Aristophanes' comedies 'The Birds' and 'The Clouds' is considered. Seven s...
In three pages this paper discusses an epic in terms of characteristics and how thee are expressed in literature and on film in a ...