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Essays 91 - 120

Martin Scorsese's Justification of Violence in Films Mean Streets, Taxi Driver, GoodFellas and Casino

and accumulating gambling debts he cannot possibly pay, the stage is set for a bloody confrontation when loan sharks come calling....

Russian Culture in the Film Window to Paris

to the history of this powerfully great city, "Like the magic of a Russian fairy tale, St. Petersburg grew up with such fantastic ...

Cinematic Analysis of The Killing Fields

of hope and a future for the people, not a controlled government that decimates the people. Without really having been in ...

Anthropological Assessment of the Film North Country

children. Josie gets the job, but from the first day, she is subjected to snide sexual references. The women working at the mine ...

Cinema and the Depiction of African Americans III

In eight pages this paper discusses the cinematic portrayal of African Americans with stereotype reliance a primary emphasis. Ele...

Worldwide Environment and American Film Performers

is particularly evident in the spread of American culture seemingly to the far corners of the globe (Eslake 61). On practically e...

Cinematic Classification of Documentaries, Comedies, and Dramas

expectations of the movies plot. The believability of characters is directly proportionate to the credibility of the plot. If a ...

Twentieth Century Art of Cinema

In eight pages this report presents examines of twentieth century cinematic artistry. Four sources are cited in the bibliography....

Charlie Chaplin's Life and Cinematic Contributions

In thirty pages this paper discusses the controversial actor and director's life, cinematic contributions, politics, and the legac...

Film Dramatizations of Geoffrey Chaucer's The Canterbury Tales

In six pages this research paper discusses 2 cinematic interpretations of The Canterbury Tales and argues that how filmmakers fail...

Novel and Cinematic Versions of A Passage to India by E.M. Forster

In four pages the novel and its film adaptation are thematically compared in terms of cinematic changes that were made. Six sourc...

Comparative Analysis of the 'Poem of the Cid' Epic and Anthony Mann's 1961 Film El Cid

In three pages this paper discusses an epic in terms of characteristics and how thee are expressed in literature and on film in a ...

Post First World War Hollywood Studio Dominance

In twelve pages this paper considers the global cinematic dominance of the Hollywood studio system after the First World War. Nin...

Hollywood Cinema, False Depiction of Women and the Subtle Sexism

sexually aggressive. In my own opinion, Mildred Pierce, Jezebel, The Postman Always Rings Twice-these were great tragedies about w...

Andrei Tarkovsky's Cinematic Poetry

This in-depth research paper puts forth the argument that the films of director Andrei Tarkovsky are best seen as cinematic poetry...

Comedy in Cinema, From Charlie Chaplin To Woody Allen

This paper addresses the growth of cinematic comedy. The author covers major works by Charlie Chaplin, The Three Stooges, Buster ...

Roots of Avant Garde's Visual Arts

In eight pages the roots of avant garde regarding film are argued to be in the visual arts as opposed to the narrative cinematic t...

1968 Film Romeo and Juliet by Franco Zeffirelli

In three pages this paper examines the filmmaker's various cinematic techniques and include elements such as utilizing teenage act...

Apocolypse Now Film by Director Francis Ford Coppola

In five pages this paper considers the film's parallels with Heart of Darkness by Joseph Conrad and also discusses influences of T...

Comparative Analysis of William Shakespeare's Play Hamlet and Kenneth Branagh's Film Adaptation

In six pages this paper compares the strong similarities between Kenneth Branagh's cinematic interpretation of Hamlet and Shakespe...

Eraserhead Film by David Lynch

Experimental films are discussed in this research paper consisting of six pages with Lynch's feature debut the focus of considerat...

Contemporary Perspectives on Romeo and Juliet by William Shakespeare

In five pages this paper examines the contemporary perspectives represented in the 1996 cinematic interpretation of William Shakes...

Films My Darling Clementine and Now Voyager and Their Representations of Class and Gender

In ten pages these cinematic melodramas of the Forties are examined in a discussion of meaning construction through class and gend...

3 Perspectives on Julius Caesar by Plutarch, William Shakespeare, and Joseph L. Mankiewicz

In six pages this paper discusses how Plutarch and Shakespeare presented Julius Caesar in comparison to Joseph L. Mankiewicz's 195...

Ian McKellan's Film 'Richard III' and Evil

In six pages this paper examines how evil is portrayed in this cinematic interpretation of William Shakespeare's 'Richard III' wit...

Jean Luc Godard's Unconventional Cinematic Style

of capitalism, he looked for a medium which would best provide a creative outlet, as well as indulge in his interest in philosophy...

Stylistic and Formal Characteristics of Gus Van Sant's 'My Own Private Idaho'

Such cinematic techniques as mise-en-scene are discussed in a paper consisting of 6 pages as thematic and narrative expression are...

Cinema and Aristotelian Considerations

In a paper consisting of five pages the cinematic adaptations of Who's Afraid of Virginia Woolf, Much Ado About Nothing, and Sween...

Movies and How the Dracula Character Has Evolved

Transylvanian aristocrat remained unchallenged for nearly twenty-seven years, and it was not until 1958, when the British actor Ch...

Analysis of the Italian Realist Film The Bicycle Thief

In five pages a cinematic analysis of Vittorio de Sica's 1948 film includes camera uses, production techniques and evaluates the e...