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Essays 511 - 540

Governance Views in William Shakespeare's The Tempest and Sophocles' Antigone

were not performed. However, almost as soon as he has made this ruling - that Polyneices body should lay unburied - Creon is faced...

Fathers in William Shakespeare's The Taming of the Shrew and A Midsummer Night's Dream

love and regards them as intrusions between his will and his daughters future. He says that Lysander has Turnd her obedience, whic...

William Shakespeare's The Merchant of Venice and the Character of Shylock

anti-semitism. Religious: The Christian church of the period inherited all the accumulated "demonization", which had occurred ar...

William Shakespeare's Othello and Iago's Destructive Motivations

a squadron in the field" (I.i.9-22). According to Iago, Othello has passed him over for the position of lieutenant (or second in ...

Tragic Hero's Journey in Arthur Miller's Death of a Salesman and William Shakespeare's King Lear

In five pages this paper examines how the tragic hero's journey is thematically portrayed in these plays. Three sources are cited...

William Shakespeare's Romeo and Juliet and its Theatrical Staging

play opens, the streets of Verona flash with swords and malice as the ancient vendetta between the wealthy houses of Capulet and M...

Patriarchy and William Shakespeare's Othello

In five pages this paper examines how the social patriarchy victimizes Othello and his bride Desdemona in an analysis of Othello b...

Characters of Corin and Adam in William Shakespeare's As You Like It

In five pages the social satire portrayal of these characters and how Shakespeare used them to poke fun at the elite's pretentions...

William Shakespeare's Othello and the Character Iago

II, scene 1, lines 83-181, Shakespeare pictures an interlude in which Desdemona "beguile(s)" the time before Othellos arrival at C...

Sophocles' Oedipus Trilogy, William Shakespeare's The Tempest, and Violence

In five pages this paper compares and contrasts how violence is featured in these two works of classical literature. Three source...

William Shakespeare's Much Ado About Nothing, The Taming of the Shrew, and Women's Social Status

In eleven pages this paper discusses these plays by William Shakespeare in terms of the social status of women as depicted by the ...

Analysis of Iago's Character as Presented in William Shakespeare's Othello

This paper consists of five pages and provides an analysis of the manipulative Iago's character and examination of his behavior an...

Issue Appeasement in William Shakespeare's Macbeth, The Merchant of Venice, and Romeo and Juliet

In ten pages this paper discusses Shakespeare's efforts at religious, political, and social appeasement in this trio of plays. El...

Depiction of Women in William Shakespeare's A Midsummer Night's Dream

This paper examines how women were depicted by William Shakespeare in his comedy A Midsummer Night's Dream in eleven pages with th...

'Fair is Foul and Foul is Fair' in William Shakespeare's Characterizations of Lord and Lady Macbeth

will make our lives complete, and for a while they thought too their lives were complete. They were "fair" indeed. Then as we sta...

William Shakespeare's Part I, Henry IV, Fathers and Sons

In five pages father and sons are examined in terms of emotions, expectations, and relationship between them within the context of...

Race Aspects in William Shakespeare's Othello

In five pages the blackness of Othello the Moor is considered on various levels. Five sources are listed in the bibliography....

Analysis of Gustave Flaubert's Madame Bovary and William Shakespeare's King Lear Act I

In five pages there are four questions answered in an analysis of how metaphor and imagery are employed in these two literary work...

Desdemona in William Shakespeare's Othello

In five pages this paper presents the argument that Desdemona's love for the Moorish Othello expands romantic love to include fide...

William Shakespeare's A Midsummer Night's Dream and Foolishness

In six pages the foolishness of characters Lysander, Hermia, Demetrius, Helena, Oberon, and Titania as presented by Shakespear are...

Act One, Scene Three of William Shakespeare's Othello

In six pages this pivotal scene and its impact on the characters as well as its tragic implications are analyzed. There are no ot...

William Shakespeare's Romeo and Juliet and the Roles of Aggression and Violence

In five pages this paper discusses how Shakespeare employed violence and aggression in this tragedy in a consideration of the role...

Rembrandt's Self Portrait, William Shakespeare's King Lear and Their Portrayals of Old Age

In five pages this paper discusses how two different art forms depict the same topic - old age....

Racism Themes in William Shakespeare's Othello

In five pages this paper discusses the racism themes in this play and also considers the role racism plays in contemporary America...

Love in Toni Morrison's Sula, Charles Dickens' Hard Times, and William Shakespeare's Othello

In six pages this essay considers how heroines love in each of these works which also discusses the social reflections of their ap...

William Shakespeare's A Midsummer Night's Dream and the Supernatural

In five pages this analysis of A Midsummer Night's Dream focuses upon the supernatural and how it is represented in plot, settings...

Links Between William Shakespeare's Much Ado About Nothing and Othello

We know that Iago is considered one of Shakespeares worst villains and, John is a pale version by comparison; but perhaps we are s...

Treatment of Gender Disruption in William Shakespeare's Twelfth Night and Macbeth

This paper examines the treatment of gender disruption in these plays by William Shakespeare in 8 pages. Nine sources are cited i...

Character Analysis of Henry in William Shakespeare's King Henry IV Part 2

In five pages the way in which Prince Henry is depicted is evaluated with such issues as power transition and coming of age also d...

Comparison of Richard Loncraine's Film Richard III and William Shakespeare's The Tragedy of Richard the Third

The caricature representation of Richard in both film and play is discussed in ten pages. Nine sources are cited in the bibliograp...