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Essays 361 - 390

Iago's Evil

In a paper of two pages, the writer looks at evil in "Othello". Iago's motivations for evil are explored. Paper uses no sources....

Elizabethan Social Outsider Status of Othello

black people were considered to be outsiders in the most profound sense of this word as they were associated in the public mind wi...

Changes in Othello and in His Relationship with Desdemona

character, Iago is also difficult to grasp, because he has no motivation that we can find to do what he does. It appears that he s...

Characters in Shakespeare’s Work

of Cassio. Cassio was given the position, by Othello, that Iago wanted and so Iago employs the usefulness of Cassio, pretending to...

Uncertain Vision in "Oedipus the King" and "Othello"

woman who was now a widow, he fell in love and married her-his mother (Sophocles). Apollo curses Thebes and says that the city wil...

Is Iago the Devil?

Therefore, the conclusion is that he is not the devil, but a man who behaves in a manner that we would call devilish or satanic. H...

Othello the Moor and Zofloya the Moor

describe the way in which society considers those who are different. The psychological construct of the Other is applied to the pe...

Race, Gender and Sexuality in "Othello"

he is black, Othello is often referred to in derogatory terms such as "the thick-lips" (I.i.66); an "old black ram" (I.i.88); and ...

Othello as a Tragic Aristotelian Hero

in the audience, because the audience members can see themselves as part of this chain of cause-and-effect (McManus). Lets very b...

Othello as a Tragic Hero

a noble falls, he takes a lot of people with him. Thats true here, where Othellos suspicion results in his destruction, as well as...

Shakespeare as the Author of His Works

poems "by several well-known theatrical poets. One of these poems (untitled in the volume, but now known as "The Phoenix and the T...

William Shakespeare's Richard the Third and Its Cinematic Interpretations

brought his version of the play forward 500 years into the 1930s. Both McKellen and director Richard Loncraine felt that Richard ...

The Moment of Catharsis in Macbeth

that ambition as somehow more significant than the ambitions of others; the pursuit of his ambition crosses over the lines of othe...

An Analysis of Comedy Of Errors

This seventeen page paper analyzes the intriguing characters in Shakespeare's Comedy of Errors. The paper emphasizes the critical...

An Interpretation from Hamlet's Where's Polonius?

This five page paper interprets Claudius' question to Hamlet as to what has become of Polinus' body, the question preseted in Act ...

Misogyny and William Shakespeare's Hamlet

In ten pages the 'nunnery scene' is among the topics discussed in a consideration of past and present societal misogyny and in a c...

Feminine Frailty in Hamlet by William Shakespeare

the wishes of his mother and the king to remain at court rather than return to his school, they are grateful and satisfied and lea...

The Merchant of Venice by William Shakespeare's Act IV 'Pound of Flesh' Trial

In five pages this paper discusses the fourth act of this play in which Shylock sues for a pound of flesh by Antonio in terms of h...

William Shakespeare's The Tragedy of Richard the Third and the King's Treatment of Women

In seven pages this paper considers Queen Elizabeth, Queen Margaret, and Lady Anne in terms of how they are treated by Richard III...

Comparison of Richard Loncraine's Film Richard III and William Shakespeare's The Tragedy of Richard the Third

The caricature representation of Richard in both film and play is discussed in ten pages. Nine sources are cited in the bibliograp...

Hamlet Film Adaptation by Franco Zeffirelli

In six pages this film version of Shakespeare's play is explored in an essay that analyzes the meaning and content of an important...

Analysis of Gustave Flaubert's Madame Bovary and William Shakespeare's King Lear Act I

In five pages there are four questions answered in an analysis of how metaphor and imagery are employed in these two literary work...

Self, Legitimacy, and Democracy in Habermas and Connolly

I. HABERMAS The social, political, economical and religious activities experienced in everyday life represent the very esse...

Act I Soliloquy of William Shakespeare's Hamlet

In five pages this paper considers the ghost of Hamlet's father and his soliloquy in Act I of Shakespeare's play in terms of its p...

William Shakespeare's Richard the Third and the Use of Pronouns

regarded as the "polite" or "formal" form of the second person (Garvey 12). The familiar use of "thou" is best illustrated throu...

Rewriting History with William Shakespeare's 'Richard the Third'

who stood in his path to the English throne, was so memorable that his work of fiction has become accepted as historical fact. Ho...

Fourth Act of William Shakespeare's Macbeth

with Macbeth as Malcolm states, "Come, go we to the king; our power is ready;/ Our lack is nothing but our leave; Macbeth/ Is ripe...

Three Cinematic Visions of Hamlet

own terms, as an interpretation for a modern mass audience of a compelling story that gives shape to some of the deepest-rooted hu...

The Tempest and William Shakespeare's Uses of Imagery

- a group ironically consisting of the very men who had conspired against Prospero - Antonio, the King, the Kings brother Sebastia...

Director Michael Almereyda's Version of Hamlet

as being spoiled and self-centered. Furthermore, the directors decision to turn a number of Hamlets soliloquies into interior mono...