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Essays 601 - 630

Four Questions on William Shakespeare's Hamlet

true circumstances of her first husbands death, and the exact nature of her guilt. There does not appear to be much in the play th...

William Shakespeare's Hamlet and Geoffrey Chaucer's 'Wife of Bath' from Canterbury Tales

the witch may well have been incredibly deceptive and conniving in her involvement with the knight, and in this we can see the pre...

Desdemona and the 'Jewel' Motif Recurrence in William Shakespeare's Othello

forthright and courageous. Coupled with these admirable characteristics, Desdemona also harbors a significant moral sensitivity a...

William Shakespeare's Othello and the 'Jewel' Desdemona

as he did during the fateful dinner when the guest at the Brabantio table was the victorious General Othello, his treasure could n...

William Shakespeare's Infamous Couple Lord and Lady Macbeth

indicates, Lady Macbeth provides the necessary motivation for the initial murder. She tells Macbeth that if she had sworn an oath ...

Villains in William Shakespeare’s Macbeth and Richard III

sensibilities: "The Prince of Cumberland! That is a step / On which I must fall down, or else oerleap, / For in my way it lies. S...

Metamorphosis of Change in William Shakespeare’s Macbeth

me in the day of success, and I have learned by the perfectest report they have more in them than mortal knowledge. When I burned ...

Analysis of William Shakespeare’s Sonnets 18, 73, and 130

While he adhered to Petrarchs use of fourteen lines, Shakespeare constructed sonnets containing three quatrains and a couplet. Hi...

Prospero's Treatment of Caliban and Ariel in William Shakespeare's The Tempest

In 5 pages the similarities and the differences between the ways in which Prospero treats servants Ariel and Caliban in The Tempes...

William Shakespeare's The Tempest and Relationships Between Master and Slave

In three pages Shakespeare's final play is analyzed in terms of the relationships between master and slave it features. Five sour...

William Shakespeare's Timon of Athens and Disillusionment

This paper consists of eight pages and discusses how the theme of disillusionment is represented in this Shakespearean play. Five...

Choosing a Mate in William Shakespeare's Romeo and Juliet and Taming of the Shrew

In eight pages this paper examines the process of marital selection that is featured in these 2 plays by William Shakespeare. Fiv...

Dramatic Irony in William Shakespeare's Much Ado About Nothing and The Taming of the Shrew

In three pages this paper analyzes how Shakespeare employed dramatic irony in these 2 plays. There are no other sources listed....

Conflicts Rooted in Anger in William Shakespeare's Tragedies King Lear, Hamlet, and Othello

In three pages the emotional conflicts that are based in anger are examined in terms of the protagonists behavior' and the importa...

William Shakespeare's Use of Sexuality in the Plays Antony and Cleopatra, Hamlet, and Othello

In twelve pages this paper examines how sexuality is thematically portrayed in these plays in terms of obsession, interracial love...

Analysis of William Shakespeare's Henry IV Speeches I.ii.185-192-I.ii.1-9

In five pages this paper presents an analysis of King Henry and Prince Hal's speeches in terms of tone and metaphor in a contrast ...

Coercion and Liberation in William Shakespeare's All's Well That Ends Well and The Tempest

In six pages this paper discusses character pairs and how they work within the structure of these two plays by William Shakespeare...

Identity in William Shakespeare's Measure for Measure and Hamlet

In five pages this paper examines the power of identity in the similarities and differences that exist among characters Mariana in...

Analysis of William Shakespeare's Romeo and Juliet, Hamlet, and Sophocles' Oedipus

In six pages this research paper contrasts and compares these works by Shakespeare and Sophocles in terms of tragic themes and iro...

Russ McDonald's 'Presentational Theater' and William Shakespeare's Coriolanus, Hamlet, and Othello

This paper consists of five pages in which Russ McDonald's 'presentational theater' theory is used to analyze illustrations from S...

Thematic Analysis of Patrick Chamoiseau's Solibo Magnificant and William Shakespeare's The Tempest

how his takeover of the island oppressed the liberties of the natives. Prosperos character (whose name is Italian for "to prosper...

Elizabethan Society, Women's Role and Portia in William Shakespeare's The Merchant of Venice

equal pound / Of your fair flesh, to be cut off and taken / In what part of your body pleaseth me" (I, iii, 148-150). Antonio agre...

William Shakespeare's King Lear and the Representation of Edmund as a Power Opportunist

maximum benefit, and his practical reaction is immediate action (Cahn 146). As Victor L. Cahn noted in his consideration of Edmun...

Climaxes in William Shakespeare's King Lear

there, she might have added a dose of common sense to the proceedings, and pointed out to her husband that dividing the kingdom am...

Fourth Act of William Shakespeare's Macbeth

with Macbeth as Malcolm states, "Come, go we to the king; our power is ready;/ Our lack is nothing but our leave; Macbeth/ Is ripe...

What a Director Should Know about a Production of William Shakespeare's Romeo and Juliet

the best Shakespeare company in the world so perhaps the director might want to consider a minimalist production. The focus of th...

Suffering in William Shakespeare's King Lear and the Book of Job

finally restored by God to his previous state of good fortune when he realizes that, as a human being, he is insignificant next to...

William Shakespeare's Richard the Third and Its Cinematic Interpretations

brought his version of the play forward 500 years into the 1930s. Both McKellen and director Richard Loncraine felt that Richard ...

William Shakespeare's Characters Macduff and Macbeth

Macbeth says only "We will speak further" (I, v, 71). The next time we see Macbeth he has a long soliloquy in which he enumerates...

Persuasiveness of Iago in William Shakespeare's Othello

lines of the opening curtain, Roderigo says "Thou toldst me thou didst hold him in thy hate" (I, i, 7), to which Iago replies, "De...