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Essays 481 - 510

Fourth Act of William Shakespeare's Macbeth

with Macbeth as Malcolm states, "Come, go we to the king; our power is ready;/ Our lack is nothing but our leave; Macbeth/ Is ripe...

William Shakespeare's Macbeth and Images of Night and Day

the characters and how they all go about trying to define the night and day while engaged in various activities. In the...

William Shakespeare's The Tempest and Its Subplot

a sort of revenge, is quite humorous as the two individuals are seemingly confused and wary. There is humor in the fact that Calib...

William Shakespeare's Macbeth and the Human Capacity for Evil

surely not do anything to hurry it along, stating, "If chance will have me king, why, chance may crown me, Without my stir" (Shaks...

The Vernacular Tradition and African-American Literature

admiring the speech, the student could say something like the following. Martin Luther Kings "I Have a Dream" speech is one of th...

Elizabethan Society, Women's Role and Portia in William Shakespeare's The Merchant of Venice

equal pound / Of your fair flesh, to be cut off and taken / In what part of your body pleaseth me" (I, iii, 148-150). Antonio agre...

William Shakespeare's A Midsummer Night's Dream and the Character of Puck as Protagonist

Oberon and make him smile/ When I a fat and bean-fed horse beguile,/ Neighing in likeness of a filly foal:/ And sometime lurk I in...

The Law in England and China Compared

of binding precedent, but also in the lack of doctrines to act as a foundation of the law. However, there are many commonalities....

William Shakespeare's The Tempest and King Lear and Sibling Rivalry

"too short" (Shakespeare I i). She tells him "I am alone felicitate/ In your dear highness love" (Shakespeare I i). In this we see...

William Shakespeare's Macbeth and the Use of Blood Imagery

soldier, but hes also immediately associated in our minds with the spilling of blood. But blood also means the blood connection b...

Closely Reading Ophelia's 'Mad' Songs in William Shakespeare's Hamlet Act IV, Scene V

where hours were spent singing songs and learning nursery rhymes. When Gertrude inquires as to how she is doing, Ophelia sings, "...

William Shakespeare's A Midsummer Night's Dream and the Supernatural

supernatural. Even before the humans enter the forest, and Oberon and Titania become involved in playing tricks on the humans thro...

William Shakespeare's Richard the Third and Its Cinematic Interpretations

brought his version of the play forward 500 years into the 1930s. Both McKellen and director Richard Loncraine felt that Richard ...

William Shakespeare's Characters Macduff and Macbeth

Macbeth says only "We will speak further" (I, v, 71). The next time we see Macbeth he has a long soliloquy in which he enumerates...

Role of Bianca in William Shakespeare's Taming of the Shrew

good enough for her. Another issue that Bianicas situation brings up is the sign of the times. These days, wed scratch our...

William Shakespeare's Hamlet and the 'Poisoned Ear' Motif

sent from God, and in return, the monarch was expected to keep their best interests at heart and to protect them. Not only h...

Treatment of Gender Disruption in William Shakespeare's Twelfth Night and Macbeth

This paper examines the treatment of gender disruption in these plays by William Shakespeare in 8 pages. Nine sources are cited i...

Characters Who Die in William Shakespeare's Hamlet

In five pages this paper examines Hamlet's role in the deaths of certain characters in terms of whether or not he actually caused ...

William Shakespeare's Hamlet and the Depiction of Women

This paper examines how Shakespeare's depiction of women in Hamlet was a reflection of their Elizabethan social roles in eight pag...

William Shakespeare's The Tragedy of Richard the Third and the King's Treatment of Women

In seven pages this paper considers Queen Elizabeth, Queen Margaret, and Lady Anne in terms of how they are treated by Richard III...

Comparison of Richard Loncraine's Film Richard III and William Shakespeare's The Tragedy of Richard the Third

The caricature representation of Richard in both film and play is discussed in ten pages. Nine sources are cited in the bibliograp...

Character Analysis of Henry in William Shakespeare's King Henry IV Part 2

In five pages the way in which Prince Henry is depicted is evaluated with such issues as power transition and coming of age also d...

Corruption and Decay in William Shakespeare's Hamlet

than debated, and therefore Hamlets problems cannot be solved by introspection and self-analysis. The themes also symboli...

Rembrandt's Self Portrait, William Shakespeare's King Lear and Their Portrayals of Old Age

In five pages this paper discusses how two different art forms depict the same topic - old age....

Comparative Analysis of William Shakespeare's Hamlet and F. Scott Fitzgerald's The Great Gatsby

In five pages this character analysis compares Hamlet to Nick Carraway and Claudius to Tom Buchanan with themes also compared. Th...

'Untrue' Polonius in William Shakespeare's Hamlet

In five pages this paper assesses Polonius's advice to his son Laertes 'This above all: to thine own self be true' with in the con...

Symbolism of the Terms 'Denmark' and 'King' in William Shakespeare's Hamlet

In seven pages the symbolism surrounding the use of the terms Denmark and King are examined within the context of Shakespeare's tr...

William Shakespeare's A Midsummer Night's Dream and the Supernatural

In five pages this analysis of A Midsummer Night's Dream focuses upon the supernatural and how it is represented in plot, settings...

'Fair is Foul and Foul is Fair' in William Shakespeare's Characterizations of Lord and Lady Macbeth

will make our lives complete, and for a while they thought too their lives were complete. They were "fair" indeed. Then as we sta...

Ophelia in William Shakespeare's Hamlet

In five pages this paper offers a character analysis of Ophelia in terms of the identity crisis she suffered due to the various me...