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Essays 631 - 660

Three Decades of Cinematic Representations of Their Respective Times

In six pages this report analyzes how Gold Diggers of 1933, Casablanca, and Invasion of the Body Snatchers each represent their re...

Cinematic Version of Anthony Burgess' A Clockwork Orange and the Problems Faced by Director Stanley Kubrick

In eight pages this paper discusses the problems filmmaker Stanley Kubrick struggled with while making his big screen adaptation o...

Strategic Cinematic Marketing

In eight pages this paper examines innovative marketing strategies for films with The Blair Witch Project as a recent example of a...

The Apostle, Wise Blood, and Cinematic Faith

In ten pages this paper examines the types of faith represented in these films along with a comparison with Flannery O'Connor's no...

Cinematic Analysis of Children of a Lesser God

to hear the sound of my own voice, he says at one point, and indeed he does such a smooth and natural job of translation that the ...

Cinematic Analysis of Pierrot le Fou

ethnology, he developed an affinity for film which he would then continue to spend his life committed to (Biography of Jean-Luc Go...

Cinematic and Literary Representations of Vanity

necromantic books are heavenly!" (Marlowe, Act 1, Li 40-50). Having made his decision to...

Federico Fellini's Movies and Their Cinematic Influence

he would have lent his considerable talents and boundless energy to the circus arena "because the circus is just that same mixture...

Cinematic Comparison of Threads, The Day After, and Testament

(originally produced to be shown on PBS, but later received theatrical distribution), which starred Jane Alexander and focused upo...

Cinematic Portrayal of Greek Virtue and Philosophers

84). However, Socrates is willing to concede that an individual can desire an evil thing if he mistakenly first evaluates it as go...

Mike Nichols' The Birdcage Cinematic Content Analysis

a good impression on his prospective in-laws, Armand and Albert pretend to be straight (Bawer). Instead of going for the easy lau...

Cinematic Influences of 1960s' Society

the story of twelve men (all stereotypical white and middle class) who by luck of the draw are brought together to deliberate the ...

African American Stereotypes and Cinematic Semiotics

rather than blatant stereotypes and also new films which spoof the previous stereotypes depicted which in effect erases cinematic ...

Social Order Visions in Police Cinematic Dramas

the beginning perhaps, a cop who felt that policeman could truly offer some form of social control that would eventually benefit a...

Cinematic Analysis of Oliver Parker's Othello

"right hand" man despite Iagos longer term of service (Null, 2002). Iago manages to incite a jealousy rage in Othello that results...

Silence of the Lambs Novel and Cinematic Versions

remained amazingly faithful to the book, in his commitment to retaining its essence, there were some changes that needed to be mad...

Horror Cinematic Genre

horror film, according to director Elias Merhige, "The horror film transforms itself, adapting to our fears, to the things that we...

Cinematic Comparison of 2001 A Space Odyssey and The Matrix

definitely postmodern? In some ways, that appears to be true, but in other ways that may not be the case at all. 2001 began with...

Franco Zeffirelli's Cinematic Interpretation of Romeo and Juliet by William Shakespeare

the still city, which is bathed in ethereal morning light, the city is shrouded in fog. This is also symbolic, in that its white s...

Shakespeare's Richard the Third and Hamlet in Cinematic Cross References Deconstruction

In five pages this report considers how famous literary works such as Shakepeare's plays must be deconstructed in order to be cine...

Watergate's Cinematic Interpretations

In five pages the portrayal of the Watergate scandal in Alan J. Pakula's All the President's Men and Andrew Fleming's Dick are com...

Mel Gibson's Cinematic Interpretation of William Shakespeare's Hamlet

(like Mel Gibson in the 1991 film) has no interest in playing him as an apologetic mope" (Ebert). In the written play there is a...

Cinematic Depiction of Aliens

depicts the aliens as beings who represent communism and the fear of being consumed by such "thought." The aliens in this film ...

Frame Concept and Cinematic Representation

surprise twist at the end - the camera, representing the subjective perspective of the audience, is "run over" by a car rather tha...

Ron Howard's A Beautiful Mind Cinematic Analysis

harrowing to watch, with Nash suffering several climactic breakdowns and brief moments of lucidity and temporary remission. The u...

Los Angeles and Its Cinematic Images

to do is wait and persist and she will eventually love him. While Tod is also not successful in his goal, he realizes that the cul...

Empire Records Cinematic Analysis

Music Town. With $9,000 of store receipts in his pocket, Lucas goes to Atlantic City in hopes of parlaying that into enough money...

Orson Welles' Citizen Kane and Frank Capra's Meet John Doe Cinematic and Comparative Analysis

tight close-up (Dirks, 1996). There is a menacing "No Trespassing" sign outside an old gate, and after panning up over a chain-li...

Cinematic Comparison of Audrey Hepburn in Roman Holiday and Natalie Portman in Closer

sexuality and innocence that made superstardom a foregone conclusion. The cinematic experience is one in which the spectator (the...

Cinematic Analysis of Singin' in the Rain

part of the scene while also seeing the entire dance routine. In many films of dancing the direction may not be on the long sho...