<rss version='2.0'><channel><title>eCheat.com RSS Feed</title><link>https://www.echeat.com/</link><description></description>
  <item>
    <title>Branson Fishing Guides  </title>
    <description>Branson Fishing Guides 
Branson Guided Fishing Trips
Branson Guided Fishing Trips offers half day trips (4
hrs), ¾ day trips (6 hrs), and full day trips (8 hrs). We
provide top quality trips for individuals, corporate
trips, large groups, corporate groups, and families. We
really enjoy taking and teaching adults and children of
all ages how to fish, and providing them with the
experience of a lifetime. We also provide trips and
services for customers with any handicap or special
needs situations. For more information click this link:
Branson Guided Fishing Trips Services Another Service
that Branson Guided Fishing Trips offers is deepwater
fishing instruction tours on one of </description>
    <pubDate>2015-02-26T07:11:02.97-05:00</pubDate>
    <link>http://75.150.148.189/free-essay/Branson-Fishing-Guides-35089.aspx</link>
  </item>
  <item>
    <title>The Beatles: Life and Career</title>
    <description>The Beatles: Life and Career
	Many names come to mind when you think of rock music in the 60’s, but there’s always one group in that list that have made as big of an impact as The Beatles. They’re one of the most known and controversial groups in the history of rock music. The Beatles were risk takers bringing a new sound to an already changing era of music. Their risks paid off making them one of, if not, the biggest rock group to ever take the stage. The popularity of their music exceeds their music generation as they have millions of fans still buying their music. They went from small band gigs to packed concerts with thousands of screaming fans. Through the struggles they faced, the Beatles stood the tests of time.
	The early 1940’s in Liverpool, England mark the date and place where the destiny of the Beatles would begin. This is the time when Paul McCartney, John Lennon, George Harrison, and Ringo Starr or “The Fab Four” were born. Growing up each of them had an undying interest in music. For eighteens years these four men continued to learn more and more about music and gained the skills to make their own. Then the day came when all of their unintentional “training” for the biggest step in their lives came. In July of 1957, in Liverpool, Paul McCartney met John Lennon. Both were teenagers. Paul impressed John with his mastered skill on the acoustic guitar, and was invited to join Lennon's group, The Quarrymen. George Harrison joined them in February of 1958. By 1959 they were playing regular gigs at a club called The Casbah. They went through various other band members including the son of the owner of the Casbah, drummer Peter Best, but not all would stick around. John Lennon dreamed up the band's final name, The Beatles, a mix of beat with beetle. A year later, in !960, the Beatles began touring in Germany where they were joined by Ringo Starr. The Beatles made their first studio work for singer Tony Sheridan's recordings for the German Polydor label, however, in the credits the band's name was changed to, The Beat Brothers. They were paid five pounds for their first show, which later advanced to three hundred pounds per show in 1963. By mid 1965 The Beatles gave 262 shows at the Cavern in Liverpool. In November </description>
    <pubDate>2013-04-15T18:37:40.78-04:00</pubDate>
    <link>http://75.150.148.189/free-essay/The-Beatles-Life-and-Career-34857.aspx</link>
  </item>
  <item>
    <title>Gabriel Garcia Marquez</title>
    <description>Gabriel García Márquez (Aracataca Columbia, 1928) is the figure of more representation of what has been going to be called magical realism.-Hispanic America. Journalist, storyteller, and novelist, he caught up with fame with the publication in 1967 in “the hundred years of Soledad,”( Novel already published in the world in the Millennium collection number 1) where he recreates the image of geography of Macondo , a place isolated from the world in the reality and myth which get confused. Other memorable works are: El coronel no tiene quien le escriba, El otoño del patriarca, crónica, de una muerte anunciada, el amor en los tiempos del Cólera y varias colecciones de cuentos magistrales. In 1982 he recieved the first nobel prize of Literature. 
Crónica de una muerte anunciada, short story published in 1981, is one of the most recognized and appreciated novels of García Márquez.  Relates to a form of reconstruction almost of the journalist the assassinator of Santiago Nasar in the hands of the Vicario twins.  From the beginning of the narrative they say that Santiago Nasar is going to die: He is the young son of a migrated Arabic and seems to be caused of Angela’s dishonor, the sister’s twins, who has contrasted the matrimony the day before and was rejected from her husband. There has never been a death so announced, declared who recalls the actions twenty-seven years ago: the avengers, in effect, don’t get tired from proclaiming their purposes for the entire town, like as if they wanted to avoid the commands of the destination, but the heap of the casualties is who can avoid the crime doesn’t achieve intervene or decides too late. The own Santiago Nasar gets up that morning unworried, not knowing completely about the death that awaits him. 
The fatality dominates everything that’s related: The crime is so public that it is inevitable. Garcia Marquez is trying to demonstrate that life, in occasions, works for many casualties that is impossible to convert the literature. His brief prose, precisely and stuck to the back and achieves to wrap the credibility of exaggerating incredibly, inventing a narrative tension where there is no argument, returning from reves in time for what reveals the truth, leaving a doubt in the air that will end by destroying the protagonists from the drama, it was adapted to the big screen in 1987, derived from Francesco Rosi, and </description>
    <pubDate>2012-05-09T10:09:56.687-04:00</pubDate>
    <link>http://75.150.148.189/free-essay/Gabriel-Garcia-Marquez-34558.aspx</link>
  </item>
  <item>
    <title>Diego Rivera</title>
    <description>Diego Rivera has to be one of the greatest artists of all of the early 1900s. I choose Diego Rivera because he is an old folk hero, and because his work has so much meaning behind it that normally you wouldn’t know unless you understood the current events during that time. His wife who also is a painter, Frida Kahlo, also is remarkable as well. Rivera uses conventional painting methods with medium-oil based paints, and is most well known for his murals. Diego lived from 1886-1957; he led an amazing life dedicated to art and his political side of the communist party. After spending the 1910s in Europe, where he surrounded himself with other artists and was strong in the cubist movement, he returned to Mexico and began to paint the big murals for which he is most famous. In his murals, he blends hard issues relating to the working men and women, making his status among the poor and middle class very good. He was invited to create works everywhere, most well-known in the United States, where he stirred up controversy by drawing ‘Lennon’ in one of his murals. Rivera’s most remarkable work sited is his 1932 Detroit Industry, a group of 27 frescos at the Detroit Institute of Art in Michigan. His expression that he uses is the most beautiful I’ve ever seen with his imagery and sense of true reality amongst the different shades and brush strokes. I can actually see the pain and anger in some of the more politcal and social paintings. Diego is noted with some of the greatest artists including Cezanne, Gauguin, Renoir, and Matisse. All who undoubtedly earned there title of true masters of the trade as well. Most of Diego’s paintings are of slaves and the fight for change in Mexican society. The struggle that is viewed is very bold and how detailed Diego can turn something seemingly not as flashy to a prominent foothold in the movement towards revolution. In 1930 Rivera made a few trips that would change the course of American painting. In November of that year, Rivera   began working on his first two major American pieces; for the American Stock Exchange Luncheon Club and for the California School of Fine Arts. These two pieces firmly but slowly incorporated Rivera’s crazy politics, while still have a sense of simple history to them as well. One of </description>
    <pubDate>2008-06-04T04:56:39-04:00</pubDate>
    <link>http://75.150.148.189/free-essay/Diego-Rivera-33606.aspx</link>
  </item>
  <item>
    <title>Jackson Pollock                                             </title>
    <description>Jackson Pollock was born to LeRoy McCoy Pollock and Stella McClure Pollock on January 28, 1912 in Cody, Wyoming.  His stay there was short as the family moved before he was one and continued traveling around the southwest United States.  Pollock’s father would take his young son with him to work as a surveyor for road crews.  This exposure to vast picturesque landscapes would give Pollock an artistic vision that would help develop a new form of artwork.
	The Pollock family finally settled in California and Pollock attended Manual Arts High School in Los Angeles, California.  It was there that he discovered a love for artistic expression.  Through this pursuit he followed his brother across the United States to New York City.  There he attended the Art Students League and studied under Thomas Hart Benton.  
	Benton was from the Regionalist school of art and guided the impressionable Pollock.  Exposing him to the Masters of art and teaching him the rudimentary elements of drawing and composition.  Benton also showed Pollock the majesty of art in mural form.  Benton produced large murals on a grand scale with cartoonist like figures and distorted the musculature and bone structure of his subjects.  His most controversial work would be the Indiana Murals which depicted everyday people in an unflattering light.  His depictions of Ku Klux Klan members in full regalia thrust him into the national spotlight.  His work on broad canvas’ and desire to mold people in his own image challenged Pollock to observe his world through an alternative view.  Through this tutelage Pollock began to incorporate Benton’s “American Scene”, but added his own dark undertones to his work.  Pollock once reflected upon Benton’s early teaching as giving him a standard to rebel against in his later work.
		As a young artist trying to make his way in the world he was aided by Franklin Delano Roosevelt’s New Deal which included work relief projects for young artists.  The Works Progress Administration’s Federal Art Project would provide economic freedom for the developing artist to hone his craft.  Many pieces created by Pollock during this time have gone missing, but the surviving works show progression and use of alternative painting techniques combined with a strong desire to convey deeply personal matters though a canvas.  
	With the shadow of World War II </description>
    <pubDate>2007-11-14T14:03:45-05:00</pubDate>
    <link>http://75.150.148.189/free-essay/Jackson-Pollock--33419.aspx</link>
  </item>
  <item>
    <title>Maya Angelou Biography                                      </title>
    <description>Maya Angelou Biography

Maya Angelou is an amazing American author, poet, entertainer, actress, playwright, producer and director, historian and civil rights activist. She is best known for her portrayals of strong African American women.  

Born April 4, 1928 in St. Louis, Missouri. Maya Angelou's given name was Marguerite Johnson, Maya and her brother Bailey spent most of their childhood living with their grandmother in rural Arkansas. Maya grew up in Stamps and learned what it was like to be a black girl in a world whose boundaries were set by whites. After five years of living with her grandmother she moved back to her mother's home in Missouri. This was a bad turn for her, when her mothers' boyfriend raped her. This violent act sent Maya to become mute for nearly five years. She was sent back to live with her grandmother because no one could stand the state she was in.  Angelou's whole childhood was moving back and forth from her mother's house to her grandmother's house. This caused her to struggle with maturity. She became determined to prove she was a woman and began to rush toward maturity. She soon found herself pregnant, and at the age of sixteen she delivered her son, Guy and began a series of jobs, including cooking and waiting tables. In the 1950s she became a nightclub performer and began careers as a singer, dancer, actor, playwright, magazine editor, civil rights activist, poet, and novelist. 

Much of Angelou's writing stresses the themes of courage, perseverance, self-acceptance, and realization of one's full potential. In her works she frequently presents strong female role models. Her most writings includes her autobiographical books, which starts with I Know Why the Caged Bird Sings (1970), which she describes African American life in, humorous, intelligent language rich in rhythm and texture. Her second book Gather Together in My Name (1974) focuses on Maya and her brother moving away from their grandmother. This takes place from her late teens through her mid twenties, focusing on her experiences as a mother, a Creole cook, dancer, a Chauffeurette and prostitute. Also she writes about an affair with a customer at a restaurant and her brief experience with drugs. Other Books include Singin' and Swingin' and Gettin' Merry Like Christmas (1976), The Heart of a Woman (1981), and All God's Children Need Traveling Shoes (1986). 

Some of her other works include poetry </description>
    <pubDate>2007-03-06T22:27:48-05:00</pubDate>
    <link>http://75.150.148.189/free-essay/Maya-Angelou-Biography-32750.aspx</link>
  </item>
  <item>
    <title>Bill Haley Biography                                        </title>
    <description>Bill Haley:
                   Mr. Rockin’ Rollin’
	When a person brings up the term rock and roll, many things could pass through one’s mind. Someone’s immediate thought could swing to Elvis Presley, ACDC, or even Britney Spear’s version of “I Love Rock and Roll.” It all depends on how much one knows about the subject and what era of time one grew up in. According to Dictionary.com, rock and roll is “a genre of popular music originating in the 1950s; a blend of Black rhythm-and-blues with White country-and-western; rock is a generic term for the range of styles that evolved out of rock' n 'roll.” It is essentially a combination of different music that was put together and tested by many artists in the early to mid 1900’s. Billy Haley was one of the artists that introduced that new sound of music into the world. 
	Billy Haley, whose full name is William John Clifton Haley, was born on July 6th 1925 into a family that was musically inclined. His musical abilities were not a surprise to his mother Maude who was a classically trained pianist and to his father William who played the banjo. Throughout his life as a child, he was surrounded completely by music. BillHaley.com states that “his first performances date from about 1938, when as a child he sang and played guitar at variety shows put on by local children to raise money for local causes.” Though Bill Haley did perform in front of people, he was a shy child due to the fact that he was blind in his left eye since infancy. As a child, a handicap like this tends to leave a mark of self consciousness and concern about outer appearances. Music was a gift to Bill Haley that allowed him to grow through his self-consciousness and focus not on his partial blindness but his love for performing.
	Bill Haley’s teenage years brought more opportunities to polish his act and become known by more people. He readily performed music at amusement parks and fell in love with the idea of becoming a “real, certified, singing cowboy (Gregoire, 6).” As he persistently pursued his passion through his teenage years and onto his early twenties, in 1946 he finally got a break when he joined his first professional country group known as </description>
    <pubDate>2006-11-17T18:18:12-05:00</pubDate>
    <link>http://75.150.148.189/free-essay/Bill-Haley-Biography--31815.aspx</link>
  </item>
  <item>
    <title>Review of Autobiography of Maya Angelou                     </title>
    <description>Review of Autobiography of Maya Angelou 

I Know Why the Caged Bird Sings is a coming of age story of a young black woman during a critical time of African American History.  The story is an autobiography about Maya Angelou during the 1930’s in rural segregated Stamps, Arkansas.  Within this framework Maya jumps back and forth between triumphs and drama.  However, this poses several questions: Why does she do this? And what effect does it have on the reader?  Maya jumps back and forth between triumphs and drama in order to keep the reader interested, and this allows the reader to remain focused on the story and this also makes it more suspenseful and enjoyable to read. 
	 	
First off, it is important to understand that the story goes from triumph to drama quite quickly.  A prime example of this is when Maya successfully drove the car from the Mexican bar to the border (guard’s box) and said, “No matter what happened after that, I had won.”  However, just as quickly as Maya praised herself over this triumph, when she pulled away from the guard’s box she slammed into another car.  Suddenly her triumph became drama.  Now, one might wonder how this keeps the reader interested.  Well, the sudden change draws the reader’s attention and thus it is more interesting.  Not only this, but the fact that the story changes from triumph to drama so quickly affects the reader in the sense that it keeps him/her on their toes, or in other words makes it suspenseful.   
	
Secondly, the fact that Maya chooses opportune times to change from triumph to drama keeps the reader interested and affects the reader by making it more suspenseful.  In other words during boring parts of the story where a reader would appear to be becoming less interested, Maya attracts the reader’s attention by a sudden change from triumph to drama.  For example, Maya spends an entire chapter discussing how she lived in a junkyard.  There is no real triumph or drama-taking place here; thus the reader becomes less interested.  Though, just at the right time Maya suddenly jumps toward triumph, “I was at home again.  And my mother was a fine lady.”  Maya expresses her triumph in returning home to her mother after spending a month living </description>
    <pubDate>2006-07-24T08:02:32-04:00</pubDate>
    <link>http://75.150.148.189/free-essay/Review-of-Autobiography-of-Maya-Angelou-30567.aspx</link>
  </item>
  <item>
    <title>The Life of Michelangelo                                    </title>
    <description>The Life of Michelangelo  

Michelangelo (1475-1564), arguably one of the most inspired creators in the history of art.  As a sculptor, architect, painter, and poet, he exerted a tremendous influence on his contemporaries and on subsequent Western art in general. 

A Florentine—although born March 6, 1475, in the small village of Caprese near Arezzo—Michelangelo continued to have a deep attachment to his city, its art, and its culture throughout his long life. He spent the greater part of his adulthood in Rome, employed by the popes; characteristically, however, he left instructions that he be buried in Florence, and his body was placed there in a fine monument in the church of Santa Croce. 
 	
Michelangelo's father was a Florentine official named Ludovico Buonarrotiwith connections to the ruling Medici family, placed his 13-year-old son in the workshop of the painter Domenico Ghirlandaio. After about two years, Michelangelo studied at the sculpture school in the Medici gardens and shortly thereafter was invited into the household of Lorenzo de' Medici, the Magnificent. There he had an opportunity to converse with the younger Medici, two of whom later became popes (Leo X and Clement VII). Michelangelo produced at least two relief sculptures by the time he was 16 years old, the Battle of the Centaurs and the Madonna of the Stairs, which show that he had achieved a personal style at a very early age. 
 
Michelangelo then went to Rome, where he was able to examine many newly unearthed classical statues and ruins. He soon produced his first large-scale sculpture, the over-life-size Bacchus (1496-98, Bargello, Florence). One of the few works of pagan rather than Christian subject matter made by the master, it rivaled ancient statuary, the highest mark of admiration in Renaissance Rome. At about the same time, Michelangelo also did the marble Pietà (1498-1500), still in its original place in Saint Peter's Basilica. One of the most famous works of art, the Pietà was probably finished before Michelangelo was 25 years old, and it is the only work he ever signed. The youthful Mary is shown seated majestically, holding the dead Christ across her lap, a theme borrowed from northern European art. Instead of revealing extreme grief, Mary is restrained, and her expression is one of resignation. In this work, Michelangelo summarizes the sculptural innovations of his 15th-century predecessors such as Donatello.  While ushering in the new monumentality </description>
    <pubDate>2006-07-22T17:40:46-04:00</pubDate>
    <link>http://75.150.148.189/free-essay/The-Life-of-Michelangelo-30468.aspx</link>
  </item>
  <item>
    <title>Scope of Leonardo Da Vinci's Work beyond Art                </title>
    <description>Scope of Leonardo Da Vinci's Work beyond Art

The greatest gifts are often seen, in the course of nature, rained by celestial influences on human creatures; and sometimes, in supernatural fashion, beauty, grace, and talent are united beyond measure in one single person, in a manner that to whatever such an one turns his attention, his every action is so divine, that, surpassing all other men, it makes itself clearly known as a thing bestowed by God (as it is), and not acquired by human art. This was seen by all mankind in Leonardo da Vinci, in whom, besides a beauty of body never sufficiently extolled, there was an infinite grace in all his actions; and so great was his genius, and such its growth, that to whatever difficulties he turned his mind, he solved them with ease. In him was great bodily strength, joined to dexterity, with a spirit and courage ever royal and magnanimous; and the fame of his name so increased, that not only in his lifetime was he held in esteem, but his reputation became even greater among posterity after his death.  
 

Truly marvelous and celestial was Leonardo, the son of Ser Piero da Vinci; and in learning and in the rudiments of letters he would have made great proficiency, if he had not been so variable and unstable, for he set himself to learn many things, and then, after having begun them, abandoned them. Thus, in arithmetic, during the few months that he studied it, he made so much progress, that, by continually suggesting doubts and difficulties to the master who was teaching him, he would very often bewilder him. He gave some little attention to music, and quickly resolved to learn to play the lyre, as one who had by nature a spirit most lofty and full of refinement: wherefore he sang divinely to that instrument, improvising upon it. Nevertheless, although he occupied himself with such a variety of things, he never ceased drawing and working in relief, pursuits which suited his fancy more than any other. Ser Piero, having observed this, and having considered the loftiness of his intellect, one day took some of his drawings and carried them to Andrea del Verrocchio, who was much his friend, and besought him straitly [sic] to tell him whether Leonardo, by devoting himself to drawing, would make any proficiency. Andrea was astonished to see </description>
    <pubDate>2006-07-07T12:55:39-04:00</pubDate>
    <link>http://75.150.148.189/free-essay/Scope-of-Leonardo-Da-Vinci-s-Work-beyond-Art-30077.aspx</link>
  </item>
  <item>
    <title>Living a Musical Language through the Work of Stravinsky    </title>
    <description>Living a Musical Language through the Work of Stravinsky

Stravinsky

Stravinsky is considered to be one of the greatest composers of the twentieth century. He introduced two of the first major suggestions of contemporary music. He is thought of as somewhat revolutionary because of the clamorous reception of his new style. 

Igor Fedorovich Stravinsky was born on June 17, 1882. His birthplace is Oranienbaum, Russia, which is now Lomonosov. His father was the leading bass singer at the Imperial Opera House in Saint Petersburg. Although he came from a very music-oriented family, Stravinsky was not encouraged to pursue a musical career. Instead he was pushed to study law. He attended the University of Saint Petersburg. During his studies at the university, he met Nikolai Rimsky-Korsakov (Encarta).  Korsakov was a famous Russian composer and a theoretician known for his book on orchestration, Principles of Orchestration (classical). 

Korsakov pointed the way to Stravinsky’s early works, and his influence can be deciphered in early pieces such as Symphony No. 1 in E Flat.  Soon afterwards the contribution of two French impressionists, Claude Debussy and Maurice Ravel, affected his work. This French influence produced pieces such as Fireworks and The Faun and the Shepherdess. Impressed by his orchestral talent, Sergey Diaghilev, a Russian impresario, commissioned Stravinsky to compose pieces for the Ballets Russes. In 1910, he produced The Firebird, his first ballet for Diaghilev and Petrushka in 1911. Both were very well received and acquired great success from the audience. The pieces were appreciated for their sensational force, their lavish orchestration, and their suggestion of Russian folk songs. (Encarta)

In 1913, Paris audiences experienced Stravinsky’s revolutionary Rite of Spring. The unorthodox choreography coupled with the irregular, drastic rhythms was not only unbearable for the dancers, but also displeased the audience. The Rite of Spring was performed again in the later years and was very well received. It is the piece he is most known for today.


The year after The Rite of Spring was composed, World War I began its destructive course. Stravinsky left Russia and took refuge in Switzerland.  At this time, Stravinsky became interested with the production of classical pieces. He updated the pieces for an augmented harmonious language. Some of these are Pulcinella, a ballet, and Oedipus Rex, which were inspired by the Handelian oratorio. (Classical)

During and after the war, Switzerland underwent troublesome social economic times. This made it nearly impossible for </description>
    <pubDate>2006-06-12T02:24:27-04:00</pubDate>
    <link>http://75.150.148.189/free-essay/Living-a-Musical-Language-through-the-Work-of-Stravinsky-29274.aspx</link>
  </item>
  <item>
    <title>Biography of Alvin Alley, the Face of Modern Dance          </title>
    <description>Biography of Alvin Alley, the Face of Modern Dance

Born on the 5th of January 1931, the man who changed the face of modern dance forever.  He was born in a farming community in Rogers, Texas.  When he was twelve he and his mother moved to Los Angeles.  He had a difficult childhood.  His </description>
    <pubDate>2006-06-11T01:54:43-04:00</pubDate>
    <link>http://75.150.148.189/free-essay/Biography-of-Alvin-Alley,-the-Face-of-Modern-Dance-29162.aspx</link>
  </item>
  <item>
    <title>Brunellski                                                  </title>
    <description>Brunellski

There is no doubt that those in every city who by their merits obtain fame become a blessed light to those who are born after them. For there is nothing that arouses the minds of men, and makes them indifferent to the hardships of study, so much as the thought of the honour and advantage that the labour may bring them. This Lorenzo di Cione Ghiberti, otherwise Di Bartoluccio, knew well. He in his first years was put to the art of the goldsmith, but delighting more in the arts of sculpture and design, he studied colours and also cast little figures in bronze. About this time the Signory of Florence, with the Guild of the Merchants, seeing that there were at that time many excellent sculptors, both Florentines and strangers, determined that they would make the second pair of gates for S. Giovanni, the oldest and the chief church of that city. So they called upon all the best masters in Italy to come to Florence and make trial of their skill, requiring them to produce a subject picture worked in bronze, like one of those which Andrea Pisano had made in the first gate. Bartoluccio Ghiberti thereupon wrote to Lorenzo his son, who was then working in Pesaro, urging him to return to Florence, for this was an opportunity of making himself known and showing his skill. These words so moved Lorenzo that although Pandolfo Malatesti and all his court were heaping him with caresses, and would scarcely let him go, he took his leave of them, and neither promise nor reward would detain him, for it seemed to him to be a thousand years before he could get to Florence. So setting forth he came safely to his own city. Many strangers had already arrived and made known their coming to the consuls of the guild. They made choice of seven, three being Florentines and the rest Tuscans, ordaining for them a certain provision of money, and requiring that within a year each one should finish one subject in bronze of the same size as those of the first gate. And the subject was Abraham sacrificing Isaac his son, for they thought that it contained all the difficulties of the art, landscape, figures nude and draped, and animals. Those who took part in the contest were Filippo di Ser Brunellesco, Donatello, and Lorenzo, all Florentines; and Jacopo </description>
    <pubDate>2006-01-06T06:58:33-05:00</pubDate>
    <link>http://75.150.148.189/free-essay/Brunellski--28405.aspx</link>
  </item>
  <item>
    <title>Masaccio                                                    </title>
    <description>Masaccio

	The renaissance was a time of great reform and prosperity, especially in the art aspect of it.  Most famous paintings seen in museums are from the renaissance period.  Many techniques that were used in Renaissance times are still used today.  This was a time where many great artists from around the world made some of their best works.  Some of these artists are Michelangelo, Jan Van Eyck, and Masaccio.

	Masaccio was one of the first great painters of the Italian Renaissance.  He was born in San Giovanni Valdarno, a small town near Florence, on December 21, 1401.  He was strongly influenced by Donatello and Brunelleschi.  From Brunelleschi he learned of mathematical proportions that are crucial to his revival of the principles of scientific perspective.  From Donatello he gained knowledge of classical art that led him away from the widespread Gothic style.  All of Masaccio’s works are religious in nature-altarpieces or church murals.  Massacio’s work later influenced such great artists as Michelangelo and Raphael.  He is remembered mostly because of his innovative use of perspective.

	One work that Masaccio has made is Man In A Red Turban.  When this painting was made the profile was the most popular type of portrait.  This is because important features can be showed with great detail from the side view. 

	Another work is Plate of Nativity.  This is a round plate with a nativity on the front and a small dog on the back.  It has good architectural perspective, color sequences, and geometrical patterns. 

	Masaccio’s work is very different from works of China.  The Chinese art is statues that are standing still with no color or motions while Masaccio’s paintings are very colorful and indicate movement.  In addition, the two works are different forms of art.  One is a small sculpture and the other is a painting.

	The art in the Middle Ages was not in the Cathedrals but rather the actual Cathedral itself.  These are different because the Cathedral takes much more planning and money.  Money is a crucial aspect in art and in the Middle Ages the Church was the only one with money so they paid artists to build great buildings called Cathedrals.

	Compared with art from ancient Greece, Masaccio’s art shows that art has evolved.  The Statue from Greece show no expression or emotion. </description>
    <pubDate>2006-01-02T03:49:08-05:00</pubDate>
    <link>http://75.150.148.189/free-essay/Masaccio--28376.aspx</link>
  </item>
  <item>
    <title>George Frideric Handel                                      </title>
    <description>George Frideric Handel

	George Frideric Handel was born on Febuary 23, 1865 in Halle, Germany.  Halle is a city in upper Saxon, on the Saale rive about 150 kilometers southwest of Berlin.  He was very interested in music at an early age.  Although his father discouaraged his interest in music, his mother provided alot of support for him, and he led a life of music.  At the age of twelve George was the assistant organist at the cathedral of Halle.  Although Handel was able to show that he could master multiple intruments, his father wanted him to become a lawyer.  When he was 17, his father made him go to the University of Halle to study law.  Within a year, Handel left the university in 1703 to go to Hamburg to study music.  In Hamburg he played the violin in the opera orchestra.  He also composed two operas for the Hamburg theatre.  Later, in around 1706, George went to Italy, where he stayed until 1710.  While he was there, he traveled alot.  He went to places like Florence, Venice, Rome, and Naples.  While in Italy Handel met some people that would become a big influence on his musical career.  He played for several patrons in this time.  Handel then returned to Germany to become the musical director of the elector of Hanover. 


Later that same year, he visited England, and he never resumed his position for Hanover.  In 1714, Handel’s former employer, became King George I of England began to bestow special favors on George, who was now living in his permanent home in England.  His home was in London, and in 1727 he became an English citizen.  While in England, Handel continued to compose in his Italian style, but he also began incorperating the style of English music, especially English coral music.  Handel became the leading composer and director of Italian operas in England, and may be considered the most important composer of the entire baroque period.  Later in his life, Handel stopped writing Italian operas, and began to focus on English oratorio.  He started these in around 1740.  Most of his oratorio were based on the old testament. Handel’s oratorios were three-act dramatic works, sort-of like operas, but they were profermed in concert without staging or action. </description>
    <pubDate>2006-01-02T03:40:12-05:00</pubDate>
    <link>http://75.150.148.189/free-essay/George-Frideric-Handel-28373.aspx</link>
  </item>
  <item>
    <title>Beethoven, Ludwig van                                       </title>
    <description>Beethoven

Beethoven, Ludwig van (1770-1827), German composer, generally considered one of the greatest composers in the Western tradition. Born in Bonn, Beethoven went to Vienna in 1792 to study under Austrian composer Joseph Haydn. In Vienna, he dazzled the aristocracy with his piano improvisations and became a successful freelance composer.

In the first decade of the 19th century Beethoven expanded the musical language bequeathed by Haydn and Wolfgang Amadeus Mozart and revealed his complete assimilation of the Viennese classical style. Beethoven's fame reached its zenith during these years, but a hearing impairment he had first noted in 1798 steadily worsened. He performed in public only rarely, making his last appearance in 1814. By 1818 Beethoven was virtually deaf. Although he withdrew from all but a steadily shrinking circle of friends, his prestige was still so great that during his last illness he received huge outpourings of sympathy.

Musical Development

Beethoven's major output consists of 9 symphonies, 7 concertos, 17 string quartets, 32 piano sonatas, 10 sonatas for violin and piano, 5 sonatas for cello and piano, an opera, 2 masses, several overtures, and numerous sets of piano variations.

His works of the decade from 1802 to 1812 represent an expansion of the tighter forms of Haydn and Mozart, as is apparent in the Eroica Symphony and the Piano Concerto no. 5 (Emperor, 1809), as well as in Symphony no. 5 (1808).

The few works of the years after 1812 revived and expanded the more relaxed musical structures Beethoven had employed in the 1790s. In 1818 he returned to the tightly structured heroic style in his Piano Sonata in B-flat Major op. 106 (Hammerklavier), a work of unprecedented length and difficulty.

The works of Beethoven's last period are marked by an individuality that later composers would admire but could scarcely emulate. In the Ninth Symphony and the Missa solemnis Beethoven gave expression to an all-embracing view of idealized humanity. In the five string quartets of 1824 to 1826, Beethoven achieved an ideal synthesis between popular and learned styles and between the humorous and the sublime. Judged inaccessible in their time, the string quartets have become- as has so much of Beethoven's output- yardsticks against which all other musical achievements are measured.

Influence

Beethoven towered over the 19th century, embodying the heroic ideal and the romantic perception of the composer as an artist who pursues a personal vision beyond the creation of music ordered by a patron. However, Beethoven's immediate musical </description>
    <pubDate>2005-12-30T05:03:40-05:00</pubDate>
    <link>http://75.150.148.189/free-essay/Beethoven,-Ludwig-van-28306.aspx</link>
  </item>
  <item>
    <title>The life of Guido Nincheri Canada's Michelangelo</title>
    <description>Canada's Michelangelo - The life of Guido Nincheri

	"I'm tired of people coming back from Europe and telling me how beautiful the churches are. We've forgotten what we've got here." mac1996 Between 1915 and 1973 the Italian-Canadian painter Guido Nincheri devoted his life to producing stained glass windows and frescoes for more than one hundred churches across North America. Although honoured in Montreal's three hundred and fiftieth anniversary as a builder of the city, few Canadians know of the identity of this craftsman. The purpose of this paper is to uncover the story of this unrecognized artist and evaluate the significance of  his contributions to Canadian society. 

	Born in Tuscan, in the small town of Prato, in Italy, on Sept. 29th ,1885, Guido Nincheri was born to a wealthy textile broker, Pretro, and his wife, Maria. Nincheri, inspired by his passion for the arts, decided not to maintain his father's textile company and left Prato when he was eighteen to study architectural design and art composition. After obtaining his Bachelor of Arts in Florence, he continued to do post-graduate work from 1908 to 1912. In his years of post-graduate work he was commissioned to do several murals in the Palazzo Nanni and in the salon of Marco Vecciho. He received recognition, by these commissions, and won numerous medals in competitions for architectural design and artistic compositions. On April 21st ,1913,Guido married his wife Giulia, in Florence. In December of that year, Guido and Giulia decided to take their honeymoon in Argentina, only to be stranded in Boston because of the outbreak of World War One. With no way to return home Guido turned to French Canadian Montreal. In Montreal he quickly landed a job as a stage prop painter in the  renowned opera house Chateau Dufresne. The opera house still stands at the corner of Berbooke St. E and Pie IX Blvd. While working at the opera house in 1926, Nincheri attempted his first fresco painting at the Chapel Socurs Des Noms de Jesus et Marie and agreed to defer his fee there, for two years . In this fresco Guido depicted one hundred and twenty well-known biblical stories. His excellent craftsmanship eventually led to him being recommended by the clergy in various parishes and he soon was being shuttled back and forth between Montreal and small towns throughout Quebec, during the 1920's. 

	By portraying these biblical stories through </description>
    <pubDate>2005-12-26T03:10:53-05:00</pubDate>
    <link>http://75.150.148.189/free-essay/The-life-of-Guido-Nincheri-Canada-s-Michelangelo-28255.aspx</link>
  </item>
  <item>
    <title>Paganini's Compositional Style Its Impact and Challenge</title>
    <description>Paganini

This benefit concert marks only the second time in history that the legendary violin, made by Joseph Guarneri del Gesu (pronounced "Jezu") (1705? - 1744) in 1743, which belonged to Nicolo Paganini (October 27, 1782 - May 27, 1840) will be played in a full recital on the American continent. Eugene Fodor will perform. The first time it was heard in the U.S. was in 1982, in New York, as part of Paganini's bicentennial celebration, when his 24 Caprices for unaccompanied violin were played on it.

    Paganini's genius extended the technical, emotional and artistic expression of performance art to such a degree that it could be argued it flung open the portals of the Romantic era. His influence extended to nearly every form of art and literature. All of Europe was galvanized by this "Modern Orpheus" -- as he was known -- in his works of masterful classical compositional precision, beautiful original themes and operatic flavor. These were performed with Paganini's electrifyingly faultless playing of whole passages of new innovations, which included ravishing multiple stopping at dazzling speed, astonishing bow technique, dozens of consecutive rapid plucked notes (left hand pizzicato), fiendishly difficult double harmonics, and expressive, dramatic variation of tonal colors in all registers.

    His concerts always included a full composition performed entirely on one string -- the fourth, with its mesmerizing silver-wound richness thus fully accomplishing his intent to present violin playing as an extension of the human voice, but with technical resources far beyond vocal imagining.

    His fame will never be equaled and his gift to creative imagination can hardly be fully appreciated. His compositions provided technical solutions which were utilized in nearly every great successive violin concerto. His presence changed the lives and destinies of countless artists, including Chopin, Berlioz and Schumann, and served as a starburst of wonder and upliftment to the masses in times of prosperity as well as during oppression and plague. He played many concerts for charity, several times braving exposure to Bubonic plague. His influence is felt to this day by every serious musician who strives to reach his or her true potential.

    Schubert, who sold his silver and china in order to buy tickets for his friends to hear Paganini, said "I heard an angel sing when Paganini played his Adagio" and "An artistic comet of this magnitude will </description>
    <pubDate>2005-12-25T00:58:13-05:00</pubDate>
    <link>http://75.150.148.189/free-essay/Paganini-s-Compositional-Style-Its-Impact-and-Challenge-28238.aspx</link>
  </item>
  <item>
    <title>Gustave Courbet                                             </title>
    <description>Gustave Courbet

Gustave Courbet was born on June 10, 1819 in Ornans, France and died on December 31, 1877.  He once said, "I cannot paint an angel because I have never seen one," therefore, Courbet was a realist.  In 1839, he entered the studio of Charles Steuben, where his artistic skills would be polished.  Courbet met Virginia Binet and had a son by her in 1847.  Two years later, in 1849, Gustave returned to Ornans from Holland where his father had prepared a studio for him. In 1850, Binet left Gustave and took their son with her.  Courbet was born into a farming family and wanted to be successful in order to be recognized by the public.  However, for the first ten years of his artistic career, Courbet did not profit from his artwork; he would have to depend on his family for financial support.   

Courbet’s L’Atelier du Peintre was created in 1855.  According to, Modern European Art, “Atelier is not a realist picture; it does not show what Courbet’s studio was actually like while he was at work…” (p. 13).  Through this painting, Courbet would be able to express himself; “the painting was to be an artistic testimony…it demonstrates that the artist can draw only from his own experiences, that all his acquaintances are subservient to his own creative drive” (p. 14).  L‘Atelier du Peintre later influenced two early works of the impressionist Edouard Manet; the first, The Old Musician and the second, La Musique aux Tuileries.  In addition, in 1855, when The Artist's Studio: A Real Allegory Concerning Seven Years of My Artistic Life was refused by the Art Academy, Courbet decided to start his own exhibition, Salon des Refusés, in a tent and charged admission.  At this time, the cities in Europe were growing and the industrial revolution was in full swing. 

	Gustave Courbet painted The Artist’s Studio because he was in need of money.  However, money was not the only reason for L‘Atelier du Peintre; he desired prestige, recognition, and most of all belonging.  Courbet felt lonely: "behind this laughing mask of mine which you know, I conceal grief and bitterness, and a sadness…in the society in which we live, it doesn't take much to reach the void.”  Due to multiple rejections of his works by the art academy, Courbet felt </description>
    <pubDate>2005-09-18T06:14:22-04:00</pubDate>
    <link>http://75.150.148.189/free-essay/Gustave-Courbet--27998.aspx</link>
  </item>
  <item>
    <title>Johann Sebastian Bach Biographical Essay                    </title>
    <description>Biography of Johann Sebastian Bach

	Johann Sebastian Bach was one of the greatest composers in Western musical history. More than 1,000 of his compositions survive. Some examples are the Art of Fugue, Brandenburg Concerti, the Goldberg Variations for Harpsichord, the Mass in B- Minor, the motets, the Easter and Christmas oratorios, Toccata in F Major, French Suite No 5, Fugue in G Major, Fugue in G Minor ("The Great"), St. Matthew Passion, and Jesu Der Du Meine Seele. He came from a family of musicians. There were over 53 musicians in his family over a period of 300 years.

	Johann Sebastian Bach was born in Eisenach, Germany on March 21, 1685. His father, Johann Ambrosius Bach, was a talented violinist, and taught his son the basic skills for string playing; another relation, the organist at Eisenach's most important church, instructed the young boy on the organ. In 1695 his parents died and he was only 10 years old. He went to go stay with his older brother, Johann Christoph, who was a professional organist at Ohrdruf. Johann Christoph was a professional organist, and continued his younger brother's education on that instrument, as well as on the harpsichord. After several years in this arrangement, Johann Sebastian won a scholarship to study in Luneberg, Northern Germany, and so left his brother's tutelage.

A master of several instruments while still in his teens, Johann Sebastian first found employment at the age of 18 as a "lackey and violinist" in a court orchestra in Weimar; soon after, he took the job of organist at a church in Arnstadt. Here, as in later posts, his perfectionist tendencies and high expectations of other musicians - for example, the church choir - rubbed his colleagues the wrong way, and he was embroiled in a number of hot disputes during his short tenure. In 1707, at the age of 22, Bach became fed up with the lousy musical standards of Arnstadt (and the working conditions) and moved on to another organist job, this time at the St. Blasius Church in Muhlhausen. The same year, he married his cousin Maria Barbara Bach. 

	Again caught up in a running conflict between factions of his church, Bach fled to Weimar after one year in Muhlhausen. In Weimar, he assumed the post of organist and concertmaster in the ducal chapel. He remained in Weimar for nine years, and there he composed his first wave of </description>
    <pubDate>2005-08-18T09:35:58-04:00</pubDate>
    <link>http://75.150.148.189/free-essay/Johann-Sebastian-Bach-Biographical-Essay-27729.aspx</link>
  </item>
  <item>
    <title>Ringo Starr Biography From Birth Through The Beatles        </title>
    <description>A First Person Ringo Starr Biography From Birth Through The Beatles

[i:6bebcd7f12]A Brief and Hopefully Accurate Summary of the Life and Times of Ringo Starr.[/i:6bebcd7f12]

	I, Ringo Starr, was born on July seventh, 1940. I was named after my father. I was the only child of Richard Starkey and Elsie Gleave. The two had met while working together at a local bakery. They eventually married in 1936. My family resided at 9 Madryn Street, a six-room terrace house in a poor and rough working class section of Liverpool known as the Dingle. My father had left home when I was 3 years old. In 1944, My mother and I moved to 10 Admiral Grove, a smaller, less expensive terrace house around the corner. I called 10 Admiral Grove home until I moved to London with the Beatles. Determined to support herself and me, Elsie went to work as a barmaid, often leaving me in the care of neighbors or my paternal grandparents.

	At the age of five, I started school at St. Silas Infants School, but my school career hit the first of many snags when, at age six, I developed appendicitis. My appendix ruptured resulting in peritonitis and a ten week coma. My mother was told on several occasions that I would not live, but eventually, to the doctor's surprise, I came round and slowly began to mend. After six months, recovery was within sight, but then disaster struck. I fell out of the hospital bed necessitating an additional six month hospital stay. When I was finally released, I found that I was very behind in his school work. I couldn't read or write, so a neighbor child, Marie Maguire, was recruited to help teach me. I never cared much for school, and the fact that I was so far behind didn't help. I would often play truant, a fact that no doubt influenced my dismal showing on the Review exam. Since I didn't pass the Review, I didn't even take the Eleven Plus exam and, as a result, wound up at Dinglevale Secondary Modern School at age eleven.

	In 1953, with my enthusiastic blessing, Elsie married Harry Graves. That same year I developed pleurisy. Complications resulted in another hospitalization, this one lasting two years. Despite all these hardships, I, by all accounts, remained a contented easy-going individual if somewhat quiet and thoughtful. When I emerged from the hospital at fifteen, I knew </description>
    <pubDate>2005-08-15T08:34:01-04:00</pubDate>
    <link>http://75.150.148.189/free-essay/Ringo-Starr-Biography-From-Birth-Through-The-Beatles-27669.aspx</link>
  </item>
  <item>
    <title>Biography of Pablo Picasso and History of His Art           </title>
    <description>Pablo Piccaso Biographical Essay

Pablo Picasso was probably the most famous artist of the twentieth century. During his artistic career, which lasted more than 75 years, he created thousands of works, not only paintings but also sculptures, prints, and ceramics, using all kinds of materials. He almost single-handedly created modern art. He changed art more profoundly than any other artist of this century because he was an inspiration. 

Picasso was born on October 25, 1881, in Malaga, Spain, son of an artist, Jose Ruiz, and Maria Picasso. Rather than adopt the common name Ruiz, the young Picasso took the rarer name of his mother. An artistic prodigy, Picasso, at the age of 14, completed the one-month qualifying examination of the Academy of Fine Arts in Barcelona in one day. From there he went to the Academy of San Fernando in Madrid, returning in 1900 to Barcelona, where he frequented the city's famous cabaret of intellectuals and artists, Els Quatre Gats. 

The years of 1901 to 1904, known, as the "blue period" because of the blue tonality of Picasso's paintings was a time of frequent changes of residence between Barcelona and Paris. During this period, he would spend his days in Paris studying the masterworks at the Louvre and his nights enjoying the company of fellow artists at cabarets like the Lapin Agile. 

1905 and 1906 marked a radical change in colour and mood for Picasso. He became fascinated with the acrobats, clowns and wandering families of the circus world. He started to paint in subtle pinks and greys, often highlighted with brighter tones. This was known as his "rose period." 

For Picasso the 1920's were years of rich artistic exploration and great productivity. Picasso continued to design theatre sets and painted in Cubist, Classical and Surreal modes. From 1929 to 1931, he pioneered wrought iron sculpture with his old friend Julio Gonzalez. In the early 1930's, Picasso did a large quantity of graphic illustrations. In late 1906, Picasso started to paint in a truly revolutionary manner. Inspired by Cézanne's flattened depiction of space, and working alongside his friend Georges Braque, he began to express space in strongly geometrical terms. These initial efforts at developing this almost sculptural sense of space in painting are the beginnings of Cubism. 

In 1907, Picasso painted "Les Demoiselles d'Avignon," considered the watershed picture of the twentieth century, and met Georges Braque, the other leading figure of </description>
    <pubDate>2005-06-15T07:15:48-04:00</pubDate>
    <link>http://75.150.148.189/free-essay/Biography-of-Pablo-Picasso-and-History-of-His-Art-26859.aspx</link>
  </item>
  <item>
    <title>Pablo Picasso Biographical Essay                            </title>
    <description>Picasso was born on October 25, 1881 in Malaga, Spain.  As a young boy he attended Barcelona's School of Fine arts.  By the age of 15 he was a well- rounded figurative painter. He was inspired early on by the capital of art, PARIS, which was where he soaked up the sketchy style of works by Manet, Gustave Courbet and Toulouse- Lautrec.

He spent from 1899 to 1904 moving forth and back between France and Spain as France gave him so much inspiration during his time spent there. In his life he went through many phases and styles including realism, caricature, but more significantly the Blue period (1901-1904) and Rose period (1904-1906). 

At the age of 22 one of the most significant period of Picasso’s life had begun, the Blue period. This period saw the diminish in his choice of colour and range of tones, to a single dark and oppressive blue. He painted everything in blue as a sign of sadness from when his best friend died.  And instead of Picasso observing people ruthlessly and satirically as he had done previously before this period, he now treated his models with sympathy and dejected tenderness.  He no longer painted café scenes but began to imagine mysterious, withered figures standing rigid and silent against a vague or empty background.  ‘Child with a Dove’, painted at the end of 1901, is the first of the series of canvases that comprise Picasso’s Blue period. 

Right after the Blue period came the Rose period, which was another significant period in Picasso’s life from 1904- 1906. He started to paint in brighter colors such as pinks and beige, which dominated the paintings along with the less significant colours being light blues and roses. His subjects were saltimbanques, harlequins and clowns who are mute and inactive. Thus he drew people doing happy things along with lots of circus scenes with circus animals. (Family of Saltimbanques 1905)

In 1905 his work took a turn as they became of large male and female figures, seen frontally or in distinct profile, somewhat like Greek Art. (La Toilette 1906)
He was also captivated by the caricature like artworks of French Painter Henri Rousseau.

What paved the way for Picasso to become well known for his technique of cubism, was ancient Iberian sculpture from Spain, which was African art.  He slowly incorporated simplified forms of the source into striking </description>
    <pubDate>2005-05-10T02:33:36-04:00</pubDate>
    <link>http://75.150.148.189/free-essay/Pablo-Picasso-Biographical-Essay-26586.aspx</link>
  </item>
  <item>
    <title>Tupac Amaru Shakur Biography                                </title>
    <description>Tupac Amaru Shakur Biographical Info
DOB: June 16, 1971 - Brooklyn, NY
DOD: September 13, 1996 - Las Vegas, NV
Height: 5'10 Weight: 168

Mother: Afeni Shakur
Father: William Garland
Step Father: Jeral Wayne Williams
AKA Mutula Shakur
Half Sister: Sekyiwa Shakur 
Half Brother: Maurice Harding 
(Mopreme of Thug Life)
Godfather: Elmer "Geronimo" Pratt

Music Groups: One Nation Emcees, Two From The Crew, Strictly Dope, Digital Underground, Thug Life, Outlaw Immortalz/Outlawz

Aliases: MC New York, 2Pac, Makaveli (the don)

Marital Status: Divorced (Keisha Morris) &amp;amp; Engaged (Kidida Jones)
 
Tupac Shakur was born Lesane Parish Crooks in Brooklyn, NY in 1971. While still a small child, his mother changed his name to Tupac Amaru after an Inca Indian revolutionary, "Tupac Amaru", meaning "Shining Serpent". "Shakur" means "Thankful To God" in Arabic.

From childhood, everyone called him the "Black Prince." Formisbehaving, he had to read an entire edition of The New York Times. When he was two, his sister, Sekyiwa, was born. This child's father, Mutulu, was a BlackPanther who, a few months before her birth, had been sentenced to sixty years for a fatal armored car robbery.

With Mutulu away, the family experienced hard times. No matter where they moved-the Bronx, Harlem, homeless shelters- Tupac was distressed. "I remember crying all the time. My major thing growing up was I couldn't fit in. Because I was from everywhere. I didn't have no buddies that I grew up with."

By the age of twelve, Tupac had discovered his loves for acting, writing love songs and poetry. As a young teen, his family moved to Baltimore , MD, where he attended The Baltimore School for the Performing Arts studying acting and ballet. At this school, Tupac left a lasting impression on his teachers and was showing tremendous potential. Unfortunately, Tupac was unable to continue his training. He moved to Oakland, California with the rest of his family. That's when Tupac began to, as he called it, "Hang with the wrong crowd." 

At age fifteen, he fell into rap; he started writing lyrics, walking with a swagger, and milking his background in New York for all it was worth. People in small towns feared the Big Apple's reputation; he called himself MC New York and made people think he was a tough guy.

By the time he was twenty, Tupac had been arrested eight times, even serving eight months in prison after being convicted of sexual abuse. In addition, he was the subject of two wrongful-death lawsuits, one involving a </description>
    <pubDate>2005-03-29T02:04:56-04:00</pubDate>
    <link>http://75.150.148.189/free-essay/Tupac-Amaru-Shakur-Biography-26458.aspx</link>
  </item>
  <item>
    <title>Johann Sebastian Bach (1685-1750) Biographical Essay        </title>
    <description>Johann Sebastian Bach (1685-1750) Biography

	Johann Sebastian Bach is probally one of the greatest composers of his time, as well as our time. As a boy he had a fantastic soprano singing voice and always took the lead roles in the church and school choirs. He started composing fairly early on in his life and his first main works, including the Preludes and Variations for the organ, were composed between the ages of 17 and 20. 	 	

Bach loved church music and was regarded as one of the finest organists of his day. Since he was raised up with strong ties to the church, he was always involved in church music both as a singer and an organist. He wrote many of his marvelous series of cantatas for the Sunday services at the Church of St Thomas in Leipzig, which were probably the best of it's kind. 

	Bach was always was in high demand and held a continuation of excellent jobs throughout his lifetime which included posts at the courts of Duke Wilhelm Ernst of Weimar and Prince Leopold of Cöthen.

	Life, however, was not always that great though. In the early years Bach was heavily influenced by the composer Buxtehude (another great writer for the organ) and he left his first job as organist at Arnstadt to go and have lessons with him. This turned into a four-month leave, causing trouble with Bach's employers when he returned. Not only had his presence been missed for four consecutive months, but he had come back writing in an advanced and unusual style that wasn't exactly what was required. It was great music but it was just a little ahead of its time. 

	So Bach moved on to the job in Weimar, which gave him greater musical freedom. His main duties were court organist and chamber musician to the reigning Duke Wilhelm Ernst, and he afterwards attained the job of conductor to the court orchestra in his last three years of service. It was at the beginning of this period of work that he wrote some of his most famous organ pieces, including the marvellous Passacaglia. 

	The top job at these various courts was always a conductor, and there was an opening in 1716 at Weimar. But Bach did not get offered the job, so he immediately started looking for another position, ending up at the court of Prince Leopold of Cothen. Bach spent </description>
    <pubDate>2004-12-29T06:42:14-05:00</pubDate>
    <link>http://75.150.148.189/free-essay/Johann-Sebastian-Bach-1685-1750-Biographical-Essay-26092.aspx</link>
  </item>
  <item>
    <title>Andy Warhol Biography                                       </title>
    <description>Andy Warhol, the American painter, printmaker, illustrator, and film maker was born in Pittsburgh on August 6, 1928, shortly afterwards settling in New York. The only son of immigrant, Czech parents, Andy finished high school and went on to the Carnegie Institute of Technology in Pittsburgh, graduating in 1949 with hopes of becoming an art teacher in the public schools. While in Pittsburgh, he worked for a department store arranging window displays, and often was asked to simply look for ideas in fashion magazines . While recognizing the job as a waste of time, he recalls later that the fashion magazines “gave me a sense of style and other career opportunities.” Upon graduating, Warhol moved to New York and began his artistic career as a commercial artist and illustrator for magazines and newspapers. Although extremely shy and clad in old jeans and sneakers, Warhol attempted to intermingle with anyone at all who might be able to assist him in the art world. His portfolio secure in a brown paper bag, Warhol introduced himself and showed his work to anyone that could help him out. Eventually, he got a job with Glamour magazine, doing illustrations for an article called “Success is a Job in New York,” along with doing a spread showing women’s shoes. Proving his reliability and skills, he acquired other such jobs, illustrating adds for Harpers Bazaar, Millers Shoes, contributing to other large corporate image-building campaigns, doing designs for the Upjohn Company, the National Broadcasting Company and others. In these early drawings, Warhol used a device that would prove beneficial throughout his commercial art period of the 1950’s-a tentative, blotted ink line produced by a simple monotype process. First he drew in black ink on glazed, nonabsorbent paper. Then he would press the design against an absorbent sheet. As droplets of ink spread, gaps in the line filled in-or didn’t, in which case they created a look of spontaneity. Warhol mastered thighs method, and art directors of the 1950’s found in adaptable to nearly any purpose. This method functioned provided him with a hand-scale equivalent of a printing press, showing his interest in mechanical reproduction that dominates much of his future work. Such techniques used for almost all of his works derived from his beginning in the commercial arts. His pattern of aesthetic and artistic innovation, to “expect the unexpected,” began with his advertising art in the 1950’s. Much </description>
    <pubDate>2004-05-04T05:29:10-04:00</pubDate>
    <link>http://75.150.148.189/free-essay/Andy-Warhol-Biography-112.aspx</link>
  </item>
</channel></rss>