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Essays 271 - 300

Three Cinematic Visions of Hamlet

own terms, as an interpretation for a modern mass audience of a compelling story that gives shape to some of the deepest-rooted hu...

Alternative Film Director Tobe Hooper's The Texas Chainsaw Massacre

by todays standards because almost everything this film did, has been done over and over since. The paper, therefore, focuses on h...

The Indulgence Controversy

realize they could expand their power through indulgences (Spaeth et al., 18). For instance, special indulgences were initially gi...

M.L. King/Letter from a Birmingham Jail

Alabama because he was "invited here" and because of his "organizational ties" to the area (King). Statement of Understanding: H...

Martin & Gould/Gender Stereotype & Reproduction

brain scarcely heavier than that of white women" (Gould 154). As this illustrates, Gould uses science history to show how deeply...

2 Books on the Spanish Armada

able to find data that yielded "new evidence," which weakened certain viewpoints while strengthening others.1 Mattingly, first o...

Cinematic Version of Anthony Burgess' A Clockwork Orange and the Problems Faced by Director Stanley Kubrick

In eight pages this paper discusses the problems filmmaker Stanley Kubrick struggled with while making his big screen adaptation o...

Comparing Rudyard Kipling's Prose with John Huston's Cinematic Narrative in The Man Who Would Be King

In five pages the voices used in these very different ways of telling the same story are compared and contrasted in terms of artis...

Strategic Cinematic Marketing

In eight pages this paper examines innovative marketing strategies for films with The Blair Witch Project as a recent example of a...

Cinematic Depiction of Deviance

In eleven pages this paper discusses how deviance is cinematically depicted in such films as Leaving Las Vegas and One Flew Over t...

U.S. Society and Cinematic Stereotypes of Hispanics

In five pages this paper considers how Hispanics have been stereotyped by American society and how cinema has perpetuated this dis...

The Seventh Seal and Cinematic Symbolism of Director Ingmar Bergman

In five pages this paper analyzes the symbolism Ingmar Bergman employed for existentialist effect in his 1957 film The Seventh Sea...

The Wizard of Oz, Citizen Kane, and Cinematic Reflections of America

In five pages this paper discusses how these films reflect expansionism, individualism, success, economic wealth, the 'American Dr...

Cinematic Depiction of Unions in Hoffa, Wall Street, and The Grapes of Wrath

In five pages this paper examines how these films depict U.S. labor unions in an evaluation of whether or not management and labor...

Steven Spielberg's Cinematic Depiction of Alice Walker's Novel The Color Purple

In five pages this paper analyzes if Spielberg structurally changed Walker's novel in his film version and concludes that he does ...

Cinematic Violence

The ongoing debate onf movie violence is examined from both sides in five pages with Pulp Fiction and Natural Born Killers among t...

A Cinematic Analysis of 'Bound For Glory'

A research paper consisting of 4 pages that concentrates asks 5 questions relating to the film and on opening and closing scenes o...

Cinematic Contributions of Director Howard Hawks

In ten pages this paper examines Hawks' big screen contributions with an emphasis upon his screwball comedy classics Ball of Fire,...

Richard III Cinematic Adaptation by Laurence Olivier

In six pages Olivier's interpretation of Richard and the importance of the 5 soliloquies to the film are discussed. There are no ...

Cinematic Depiction of African Americans

In fifteen pages this paper analyzes how African Americans in movies have evolved with the success of director Spike Lee among the...

Crash, A Cinematic Parable

his motivation for stealing Jean and Ricks car. However, in committing grand theft auto, Anthony objectifies Jean and Rick just as...

Popular Culture, Cinematic Violence, and Media Literacy

to the family, children, political leadership, and sexuality" (Wee, 2006, p. 50). Links have been discovered between these violen...

British Cinematic Development Until 1939

In ten pages this paper chronicles the history of British film from its 19th century origins until 1939. Six sources are listed i...

The Apostle, Wise Blood, and Cinematic Faith

In ten pages this paper examines the types of faith represented in these films along with a comparison with Flannery O'Connor's no...

Cinematic Screwball Comedies and Their Evolution

In eighteen pages the screwball comedy is examined in terms of its history and evolution with a discussion of their intentions alo...

Cinematic History of Filmmaker Francis Ford Coppola's The Godfather

In six pages this paper examines The Godfather in terms of how it represented gender, race, and class. Three sources are cited in...

Hotel Rwanda, Cinematic Analysis

This research paper/essay analyzes and critiques the portrayal of genocide presented in the 2004 film Hotel Rwanda. Five pages in ...

Moulin Rouge (2001) and Setting a Cinematic Mood

Berkeleys choreography book, he creates mood through unusual camera angles, and heightens the films pace through "speeded-up, step...

Excalibur, A Cinematic Representation of Arthurian Legend

his sword and kneels commanding that his enemy should knight him. Overcome with Arthurs bravery, as the noble could just as easily...

Cinematic Analysis of Dead Man Walking and Schindler's List

This paper examines how character action is used by the director of Dead Man Walking, and commercially motivated criticisms of Sch...