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Essays 181 - 210

3 Cinematic Interpretations of William Shakespeare's Richard III

most notably, but not really missed, were Queen Margaret, and Edward IV. Some of the lengthy dialogue was taken out without detrac...

Films Based on Mary Shelley's Frankenstein

novel. However, the film adaptation was to have the monster say nothing at all, something which led Lugosi to declining the part. ...

Cinema and 'Race Films'

back to the film "The Birth of the Nation" which lead later to a movement of "race films" in the 1920s in the cinema. Mainstream U...

Blacks in Gone With the Wind and The Jazz Singer

mythos, Negroes were naturally more musical, more rhythmic, and better dancers than any other group. Therefore the studios scurrie...

Chantal Ackerman and Her Films Je, Tu, Il and Elle and the Eighties

attitude which pervades most of her works, even today, it can be stated. This is because feminism was asking women to redefine the...

Artist Myth and Cinema

1956 account of Vincent Van Gogh leaves that question open in his sympathetic portrayal of the artist" (TCM, 2003). When watchi...

David Fincher's The Fight Club

libidinal desire and an internal examination, which tends to idealize self (Naiman 333). The one factor which unites the two symb...

Epic Hero Luke Skywalker in Star Wars

given a task to perform and in doing so derives some sort of personal meaning from it. He may meet with a great series of misfortu...

Reality and Films

Indeed, by looking at the role of the women in the movie it is a reflection of the social conditions. There is a reflection of the...

Reinvention of Western Films

There are other types of westerns though as well. Some westerns depict life in Americas colonial times or may take place in terra...

Cinematic Structure and Coding of the Film Gone with the Wind

in structuralist models, researchers often examine the underlying structures which occur beneath the actions or speech of the indi...

M. Night Shyamalan's Unbreakable Cinematic Analysis

use the camera in the same way as an author uses words for both aesthetic and textural purposes. There are two particularly effec...

Cinematic Style, Influence, and Impact of Francis Ford Coppola

in his 30s. Coppola, born in 1939 in Detroit, Michigan to an actress mother (Italia) and musician father (Carmine) grew up in Quee...

Rear Window Film and Feminist Theories of Cinema

the director and the male filmgoer) receive a sexual thrill from watching the victimization of women (Williams 706). As one of th...

Alfred Hitchcock's Genius

his cinematic apprenticeship working for British studios - working first as an artist, set designer and directors assistant before...

Francis Ford Coppola's Film The Godfather, Archetypes and the Hero's Journey

Furthermore, there are certain commonalties that run through the storylines of all epic writing. Examples of such include heroism,...

Lawrence of Arabia by Filmmaker David Lean

Passage to India. However, his creative pinnacle is largely acknowledged to be the wildly successful (both critically as well as ...

Fritz Lang's Films

the audience. In many modern examples, the most creative thing that can be said about a particular movie maker is his or her abili...

Tennessee Williams' Cat On a Hot Tin Roof Play and Film Versions

severity of the Bricks grief at Skippers death causes his relatives to speculate, but this is dispelled in the crucial scene that...

Silent to Talkies Cinematic Transition from Metropolis to The Gold Diggers of 1933

simply being "filmed" theater. Metropolis offered a chilling glimpse of the future, as the film is set in the year 2000 in the cit...

Mary Shelley's Frankenstein and Director James Whale's 1931 Film Interpretation

In five pages the original nineteenth century novel by Mary Shelley is compared with the 1931 cinematic production by director Jam...

Film Genres Thriller and Comedy

An analysis of these cinematic genres and how they are used are considered in an examination of Andrew Davies' A Perfect Murder an...

1999 Film Sleepy Hollow by Director Tim Burton

In seven pages this report analyzes Tim Burton's film Sleepy Hollow in terms of Johnny Depp's performance and cinematic influences...

Eyes Wide Shut Viewed Critically

Eyes Wide Shut was the last film Stanley Kubrick made. This paper offers an analysis and review of the film, including cinematic t...

Filmmaker Josef von Sternberg:

In six pages this report considers filmmaker Josef von Sternberg and emphasizes his cinematic collaborations with Marlene Dietrich...

Changing the Appearance of Films Through CinemaScope

In eight pages this paper examines the 1950s' introduction of the innovative CinemaScope cinematic technique that changed how film...

Alfred Hitchcock, the Cinematic Suspense Master

In six pages this paper examines the cinematic mastery of film director Alfred Hitchcock and some of the techniques he employed th...

Comparative Analysis of The Wizard of Oz Text and 1939 Film

not intend for the work to provide the surreal aura that Emerald City became in the filmed classic. The film was a musical and thi...

Early 1930s' Payne Fund Studies

In seven pages this paper examines cinematic impacts upon children as revealed in the landmark Payne Fund Studies of the 1930s. F...

Analyzing 'Technology and Politics in the Blade Runner Dystopia' by Judith Kerman

In five pages this paper considers Kerman's thoughtful commentary and assessment of the 'Blade Runner' film and its contribution t...