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Essays 31 - 60

'Aeneid' and 'The Odyssey' Number Three

In four pages this paper examines evaluates the acceptability of the protagonists' actions in these classic literary works by Virg...

The Nature of Radical Innocence in Literary Depiction

This research paper examines Hemingway's The Sun Also Rises and how the characterization of this novel's main character denies thi...

Social and Familial Status for Women in 3 Plays

and culture separate the 1888 play of Swedish playwright August Strindberg, Miss Julie, from those of twentieth century Canadians ...

Journey to Self-Awareness in Emma, The Adventures of Huckleberry Finn, and My Name is Asher Lev

her better judgment, but she was initially dismissive. Emma prefers living through others instead of living for herself, and her ...

Role of Faith/Cry, the Beloved Country

of Western superiority, is the only correct view. By this novels end, it is clear that what Price calls "faith" is rather cultur...

Outside Looking In

he realizes are poor quality. The boys awakening to reality is a shock. He suddenly understands that he has built up an entire f...

Protagonist's Fate in 'The Rocking Horse Winner' by D.H. Lawrence

they are poor because they have no luck. Paul, being a small child, thinks that luck is a tangible object to be found, obtained or...

Nonconformist, Society, and Huckleberry Finn by Mark Twain

reactions and evolution are rooted in the desire for individuality, which represents to Huck Finn and to Mark Twain, saying and do...

Krakauer's Into the Wild and London's To Build a Fire

to civilisation? Probably not. We can, therefore, only speculate as to whether or not McChandless might have seen his death as mer...

Gregor Samsa Must Transform Into a Beetle in Franz Kafka's Metamorphosis

the past into the present in support of a future. Sigmund Freud believed that only by freeing repressed happiness, can an individu...

Tragic Personality of Hedda Gabler by Henrik Ibsen

of this play, we find Ibsens comments for what he called his "modern-day tragedy," He says, "There are two kinds of moral law, tw...

Protagonist's Gradual Development in The Tale of Genji by Murasaki Shikibu

In six pages this paper examines how the primary character is gradually developed and how the text portrays the court of Kyoto. T...

What Looks Like Crazy on an Ordinary Day by Pearl Cleage

they frown and give me one last chance to redeem myself. If I dont know who, do I at least know how many? By that time I cant deci...

Protagonists' Waiting in Waiting for Godot

up life. Most people will not do this, although there are some who are willing. Some of the kamikaze pilots who crashed into build...

Female Protagonists' Bondage of James Bond

is Elektra King, unlike many of Bonds female enemies she is a rich young woman who has not become part of communist assassination ...

Gregor Samsa's Changes in Franz Kafka's The Metamorphosis

concerned that he cant get up and go to work to support his family. Even from the start, he does not want to be a burden on his fa...

Protagonist's Insanity in 'A Rose for Emily' by William Faulkner

It is clear early-on that it was common knowledge in the town that Emilys father was abusive -- if not physically, then certain m...

Female Protagonist Effectivenss in Oranges Are Not Only Fruit by Jeanette Winterson and Beloved by Toni Morrison

from secondary characters to protagonists who were considered universal or genderless to those who were females yet were strong an...

Protagonist's Ruin in Macbeth by William Shakespeare

whetted it for a more impressive title. It was a seemingly innocuous meeting with a trio of witches that would sow the seeds of M...

Act One of William Shakespeare's Macbeth and the Development of the Protagonist's Character

(I.iii.118). Banquo replies with a warning. He tells Macbeth that "instruments of darkness" frequently tell the truth in order to ...

Analysis of My Lady Ludlow by Elizabeth Gaskell

In five pages this research paper discusses the 1858 novel by Elizabeth Gaskell in an analysis of the title protagonist....

Protagonist's Transformation in 'Young Goodman Brown' by Nathaniel Hawthorne

In nine pages this paper examines how the protagonist is transformed throughout this short story by Nathaniel Hawthorne. Seven so...

King Oedipus, Prince Hamlet, and Their Tragic Flaws

In five pages the tragic flaws of these play protagonists are contrasted and compared....

Comparing Achilles and Odysseus

Odysseus was renowned for both his brain and his brawn. He was also had bravery, and competence at his skills. Odysseus was an a...

A Farewell to Arms by Ernest Hemingway

In five ways the protagonist Frederic Henry's transformation from boy to man through his wartime experience and romance with Cathe...

The Tragedy of King Richard III by William Shakespeare and the Evil Protagonist

In five pages this paper presents a psychological analysis of Shakespeare's evil protagonist Richard III....

'The Company of Wolves' by Angela Carter, 'The Swimmer' by John Cheever, and Short Story Journeys

In six pages the deceptiveness of appearances is examined in a consideration of the journeys each of these short story protagonist...

Conforming By Way of Nonconformity in 'Bartleby, the Scrivener' by Herman Melville

In five pages the ways in which Melville's short story protagonist can only conform to social demands through nonconformity and no...

Narrator and Protagonist's Relationship in 'Bartleby the Scrivener' by Herman Melville

In three pages Bartleby and the narrator's relationship are examined within the context of this Herman Melville short story. Ther...

Emily Grierson in William Faulkner's 'A Rose for Emily' and Phoenix Jackson in Eudora Welty's 'A Worn Path'

did not try to respect her or help her, indicating they merely thought she was odd. No one bothered to try to understand her neces...