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Essays 631 - 660

Quentin Tarantino's Reservoir Dogs, Pulp Fiction, and Postmodernism

In three pages this report analyzes the postmodern characteristics of these 1992 and 1994 films by director Quentin Tarantino. Th...

'Poet of the Dark Room' Photographer Man Ray

In twenty four pages this report examines the artistry of avant garde photographer Man Ray who was dubbed as the 'poet of the dark...

Martin Scorsese's Cinematography Intimacy in the Biographical Film Raging Bull

are moments when the action appears in slow motion, but it does not last long, and over all contributes to the dream quality of th...

Literary and Cinematic Portrayal of Slavery

In seven pages this paper considers how slavery has been portrayed in cinema, stories, and books. Eleven sources are cited in the...

Shaping History Through Cinematic Narratives

rather how it appears to the person that is hearing or viewing the story. Does the narrative appear to distort or change what ha...

James Cameron's Film Titanic and the Existentialist Philosophy of Jean Paul Sartre

This paper applies existentialism to an analysis of the character Jack in the Titanic film by director James Cameron in 5 pages. ...

Cinematography in the Opening Scene of Alfred Hitchcock's Rear Window

In five pages this paper discusses Rear Window by director Alfred Hitchcock in an analysis of its opening scene cinematography. F...

Cinematic Portrayals of Human Rights Offenses

In five pages this paper examines how public awareness of human rights' offenses was heightened by the shocking abuses featured in...

Literature and Human Relationships

sense one gets at the end of the work, that under the humorous aspects, there is something very sad occurring. It does appear that...

Cinematic Screwball Comedies and Their Evolution

In eighteen pages the screwball comedy is examined in terms of its history and evolution with a discussion of their intentions alo...

The Apostle, Wise Blood, and Cinematic Faith

In ten pages this paper examines the types of faith represented in these films along with a comparison with Flannery O'Connor's no...

Different Ethnic Cultures and Diane Keaton's Characters in Annie Hall and The Godfather

The ways in which directors Woody Allen and Francis Ford Coppola use Diane Keaton's characters to provide ethnic and cultural insi...

DSM Classification System and the Homosexuality Exclusion Debate

In ten pages this paper examines the DSM classification system in a discussion of the deletion of homosexuality by the board of di...

Elia Kazan's 1961 Film, 'Splendor in the Grass'

This 8 page paper considers the movie and how it represents the works of screenwriter William Inge and director Elia Kazan. There...

Analyzing the Sequence of Dreams in 8 1/2 by Filmmaker Federico Fellini

In seven pages the sequence of dreams are analyzed and considered in the context in which the director elected to produce them in ...

Luchino Visconti's Film The Damned, Its Political Content and Sociopolitical Subtexts

In five pages this paper analyzes the 1969 film The Damned by director Luchino Visconti in terms of the political contents as well...

Sex, Drugs, Cultural Decay, and Larry Clark's Photography

In ten pages this paper examines controversial director Larry Clark's still photography with his films Another Day in Paradise and...

Richard Brooks' Film The Blackboard Jungle

In eight pages this film by director Richard Brooks is examines in an overview that considers its portrayal of youth problems. Th...

Ethnic Promotion, Spike Lee, and John Woo

In five pages these film directors are discussed in terms of the way they use their movies to promote their own ethnic backgrounds...

Three Decades of Cinematic Representations of Their Respective Times

In six pages this report analyzes how Gold Diggers of 1933, Casablanca, and Invasion of the Body Snatchers each represent their re...

1995 Film Critique of The American President

and well-thought out film. This film makes us ask the question, however, about whether our United States Presidents truly have pe...

Luis Bunuel's Movies and the Uses of Violence

In ten pages this paper discusses how violence appears as social commentary and surrealism in director Luis Bunuel's movies L'Age ...

Cinematic Comparative Analysis of Rushmore and The Graduate

In five pages this paper contrasts and compares the similarities and differences of these movies and how they represent the 'comin...

1995 Film By John Singleton, Higher Learning

In five pages this report examines the 3rd film effort by director John Singleton in a discussion of content, prejudice, and issue...

Novel and Film Versions of The English Patient

physical gestures clearly demonstrate her anguish as she drops her head to the table, leaving the audience only to imagine the pai...

Artistic and Cinematic Postmodernism

In five pages this research paper examines postmodernism as it is reflected in cinema and art. Seven sources are cited in the bib...

Characteristics of an Independent Filmmaker

This 5 page paper discusses the characteristics that distinguish independent filmmakers from those working in the mainstream enter...

Filmmakers Stanley Donen and Vincent Minnelli

In ten pages the directing styles of film musical directors Stanley Donen and Vincent Minnelli are contrasted and compared in term...

It's a Mad, Mad, Mad, Mad World, The Great Race, and Cinematic Slapstick

" or literally "slapping the stick"(Von Busack ppg). It is a physical humor, reminding us that we are physical beings in a real w...

Novel and Cinematic Comparisons of The Great Gatsby

two depictions. Within the theme of The Great Gatsby, Daisy, as weak and dependent as she may be, knows the power she has over me...