SEARCH RESULTS

YOU WERE LOOKING FOR :Feminine Frailty in Hamlet by William Shakespeare

Essays 541 - 570

William Shakespeare's A Midsummer Night's Dream and the Supernatural

In five pages this analysis of A Midsummer Night's Dream focuses upon the supernatural and how it is represented in plot, settings...

William Shakespeare's Part I, Henry IV, Fathers and Sons

In five pages father and sons are examined in terms of emotions, expectations, and relationship between them within the context of...

Love in Toni Morrison's Sula, Charles Dickens' Hard Times, and William Shakespeare's Othello

In six pages this essay considers how heroines love in each of these works which also discusses the social reflections of their ap...

Treatment of Gender Disruption in William Shakespeare's Twelfth Night and Macbeth

This paper examines the treatment of gender disruption in these plays by William Shakespeare in 8 pages. Nine sources are cited i...

William Shakespeare's The Tragedy of Richard the Third and the King's Treatment of Women

In seven pages this paper considers Queen Elizabeth, Queen Margaret, and Lady Anne in terms of how they are treated by Richard III...

Comparison of Richard Loncraine's Film Richard III and William Shakespeare's The Tragedy of Richard the Third

The caricature representation of Richard in both film and play is discussed in ten pages. Nine sources are cited in the bibliograp...

Character Analysis of Henry in William Shakespeare's King Henry IV Part 2

In five pages the way in which Prince Henry is depicted is evaluated with such issues as power transition and coming of age also d...

William Shakespeare's The Merchant of Venice and the Character of Shylock

anti-semitism. Religious: The Christian church of the period inherited all the accumulated "demonization", which had occurred ar...

Patriarchy and William Shakespeare's Othello

In five pages this paper examines how the social patriarchy victimizes Othello and his bride Desdemona in an analysis of Othello b...

Analysis of Iago's Character as Presented in William Shakespeare's Othello

This paper consists of five pages and provides an analysis of the manipulative Iago's character and examination of his behavior an...

William Shakespeare's Othello and the Character Iago

II, scene 1, lines 83-181, Shakespeare pictures an interlude in which Desdemona "beguile(s)" the time before Othellos arrival at C...

Sophocles' Oedipus Trilogy, William Shakespeare's The Tempest, and Violence

In five pages this paper compares and contrasts how violence is featured in these two works of classical literature. Three source...

William Shakespeare's Much Ado About Nothing, The Taming of the Shrew, and Women's Social Status

In eleven pages this paper discusses these plays by William Shakespeare in terms of the social status of women as depicted by the ...

Characters of Corin and Adam in William Shakespeare's As You Like It

In five pages the social satire portrayal of these characters and how Shakespeare used them to poke fun at the elite's pretentions...

Revenge as a Theme in Literature

thou noble youth, / The serpent that did sting thy fathers life / Now wears his crown." Ham. "O my prophetic soul! My uncle?" (I, ...

Analysis of William Shakespeare’s Sonnets 18, 73, and 130

While he adhered to Petrarchs use of fourteen lines, Shakespeare constructed sonnets containing three quatrains and a couplet. Hi...

William Shakespeare's Macbeth and the Use of Blood Imagery

soldier, but hes also immediately associated in our minds with the spilling of blood. But blood also means the blood connection b...

William Shakespeare's The Tempest and King Lear and Sibling Rivalry

"too short" (Shakespeare I i). She tells him "I am alone felicitate/ In your dear highness love" (Shakespeare I i). In this we see...

William Shakespeare's A Midsummer Night's Dream and the Supernatural

supernatural. Even before the humans enter the forest, and Oberon and Titania become involved in playing tricks on the humans thro...

William Shakespeare's Characters Macduff and Macbeth

Macbeth says only "We will speak further" (I, v, 71). The next time we see Macbeth he has a long soliloquy in which he enumerates...

Persuasiveness of Iago in William Shakespeare's Othello

lines of the opening curtain, Roderigo says "Thou toldst me thou didst hold him in thy hate" (I, i, 7), to which Iago replies, "De...

Elizabethan Society, Women's Role and Portia in William Shakespeare's The Merchant of Venice

equal pound / Of your fair flesh, to be cut off and taken / In what part of your body pleaseth me" (I, iii, 148-150). Antonio agre...

William Shakespeare's A Midsummer Night's Dream and the Character of Puck as Protagonist

Oberon and make him smile/ When I a fat and bean-fed horse beguile,/ Neighing in likeness of a filly foal:/ And sometime lurk I in...

William Shakespeare's Macbeth and the Human Capacity for Evil

surely not do anything to hurry it along, stating, "If chance will have me king, why, chance may crown me, Without my stir" (Shaks...

William Shakespeare's Macbeth and Images of Night and Day

the characters and how they all go about trying to define the night and day while engaged in various activities. In the...

William Shakespeare's The Tempest and Its Subplot

a sort of revenge, is quite humorous as the two individuals are seemingly confused and wary. There is humor in the fact that Calib...

What a Director Should Know about a Production of William Shakespeare's Romeo and Juliet

the best Shakespeare company in the world so perhaps the director might want to consider a minimalist production. The focus of th...

Handkerchief Significance in William Shakespeare's Othello

good man, whom he has treated unjustly. Desdemona has, of course, been persuaded by Iago to defend Cassio, as he knows that this w...

Othello and Desdemona in William Shakespeare's Othello

fall upon my life" (Shakespeare I iii). In this he is leaving it all up to his wife and her father, nobly demonstrating that he do...

William Shakespeare's Richard the Third and Its Cinematic Interpretations

brought his version of the play forward 500 years into the 1930s. Both McKellen and director Richard Loncraine felt that Richard ...