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Essays 1021 - 1050

Umberto Ecos' Myth of Superman and Bruce Willis's Film Die Hard

In a paper consisting of 5 pages the ways in which the film echos the Superman myth as described by Ecos are considered with box o...

U.S. Racial and Cultural Divisions in the Film Alien Nation

In a paper consisting of four pages there are similarities noted between the divides of culture and race that exist in the United ...

Changing the Appearance of Films Through CinemaScope

In eight pages this paper examines the 1950s' introduction of the innovative CinemaScope cinematic technique that changed how film...

Black Cinema in the 1940s

For example, one review, that is typical of those produced by white critics, described the typical Hollywood musical of the 1930s ...

The Wedding Banquet Film by Ang Lee and What it Reveals About Chinese Identity

In nine pages insights about Chinese identity that are revealed in the 1993 film are discussed and how this identity serves both t...

The Police as Portrayed in La Haine by Mattleu Kassowitz

This essay discusses the function and characterization of the police as they are portrayed in Mattleu Kassowitz's movie La Haine (...

Richard Taylor, Fatalism, and Determinism

states that all events are reliant on previous events (Honderich 194). In other words, any event is an effect of a prior series of...

Diane McKinney Whetstone, Chaing Ray Lee, and Personal Transformations

In ten pages this paper examines these works as they represent personal transformations and also examines how those manifest thems...

Gene Fowler Jr.'s 1957 Film I Was a Teenage Werewolf

In six pages this report analyzes this 1957 film debut of television icon Michael Landon. Three sources are cited in the bibliogr...

Psycho Film Critically Analyzed

In thirteen pages Alfred Hitchcock's 1960 suspense masterpiece is analyzed in terms of effect, form, and function with a cinematic...

Critical Review of Monsieur Hire

relax and view the dance of the characters without thinking. In some way, a film allows the audience less freedom but the viewer i...

Romeo and Juliet by William Shakespeare and its Timelessness

In ten pages this paper examines the timelessness of this William Shakespeare tragedy as it is represented in Franco Zeffirelli an...

Film and Government in, Apollo 13, and One Flew Over the Cuckoo's Nest

This paper examines how these two films reflect public opinion of government regulation. This five page paper has three sources ...

Analysis of Gillo Pontecorvo's Film The Battle of Algiers

before viewing the motion picture. The Hutchinson Dictionary of World History says that the Battle of Algiers erupted due to the ...

Film Analysis of Claude Jutra's Mon Oncle Antoine

brutally and perhaps unfairly with death. The work is moving. Uncle Antoine, carefully acted by Jean Duceppe, is a pathetic char...

Analysis of Gus Van Sant's Film My Own Private Idaho

In eight pages this paper presents a film theoretical analysis of My Own Private Idaho with an emphasis upon the open text concept...

Novel and Film Comparisons of Maya Angelou's I Know Where the Caged Bird Sings

In five pages this paper presents a comparative analysis of Angelou's novel and the TV movie adaptation in a discussion of strengt...

Strategic Cinematic Marketing

In eight pages this paper examines innovative marketing strategies for films with The Blair Witch Project as a recent example of a...

Jim Jarmusch's Film Dead Man

The role gives him room to act insolent and wry, high-flown and wised-up by turns, and Farmer makes the most of his chances, playi...

Music as a Character in Meet Me in St. Louis and 42nd Street

the plot development and story. For example, as the movie opens, various cast members pass the song "Meet Me in St. Louis" from o...

Small Group Communications in the Film St. Elmo's Fire

their dreams. Initially it would seem that the characters of this movie would hardly be called a "hot group." However, when we e...

George Orwell's Animal Farm, Richard Attenborough's Film Gandhi, and Social Revolution

In five pages this paper examines social revolution as depicted in this novel and film. There is 1 source cited in the bibliograp...

Film Version of the Musical Hair

In five pages this paper examines the social conflict represented by hair within the context of the film and how it may be perceiv...

Movie Marketing Aspects

In seven pages movie marketing approaches are examined in a comparative consideration of the methods used to market films Being Jo...

Tragic Hero Assessment of John Proctor as Portrayed in the 1996 Film Version of Arthur Miller's The Crucible

In five pages this character analysis of John Proctor and whether or not he was portrayed as a tragic hero in Arthur Miller's 1996...

An Analysis of the Films, The Sacrifice, Stalker, and Daughters of the Dust

tending to interpret the film through the medium of his or her own perceptions and world view. Each viewer walks away from the fi...

Symbolism of Tita's Blanket in the Novel and Film Versions of Like Water for Chocolate

This paper examines what Tita's blanket symbolizes in Laura Esquirel's novel Like Water for Chocolate and in its cinematic adaptat...

Commercially Successful Film Structuring

In twenty four pages the ways in which a successful commercial film are structured is examined in a consideration of Kevin Costner...

Melodrama and Gender Conflicts in Society and Film

This paper examines the efficacy of portraying the struggles of women in various films. This five page paper has six sources list...

Desert Hearts by Donna Deitch and Desert of the Heart by Jane Rule

In five pages this report compares Donna Deitch's 1985 film to Jane Rule's 1964 novel. There are no secondary sources listed....