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Essays 91 - 120

The Directors' Vision of Three Plays

This 9 page paper examines the way in which three different directors approach Shakespeare. It looks at Kenneth Branagh's producti...

Romantic Love in the Plays of William Shakespeare

seemed to tap into the humans attraction to romantic love as an experience. There is little more powerful, and interestingly, Shak...

King Lear and Twelfth Night--A Comparison of the Two Plays

go to her, but only if she will profess love for her father to eclipse the love of any other man. Only if she promises not to mar...

Tragic and Comic Aspects of A Midsummer Night's Dream by William Shakespeare

In ten pages this paper examines the tragedy and comedy elements that each exist in A Midsummer Night's Dream by William Shakespea...

Life in Art in A Midsummer Night's Dream by William Shakespeare

In four pages this paper discusses how A Midsummer Night's Dream reflects the life of William Shakespeare. Five sources are cited...

As You Like It, Twelfth Night and Cross-dressing

plays, the audience is also presented with descriptions that conjure androgyny, which was a prevalent idea in the Elizabethan era....

Dreams, Magic, and the Difficulty of Love in A Midsummer Night's Dream by William Shakespeare

indicates that "The theme of loves difficulty is often explored through the motif of love out of balance-that is, romantic situati...

Portia's Presentation in the Third and Fourth Acts of The Merchant of Venice by William Shakespeare

/ Is an unlessond girl, unschoold, unpractisd; / Happy in this, she is not yet so old / But she may learn; happier than this, / Sh...

Eurocentric Global Perspectives of The Tempest by William Shakespeare

coming to the island, as well as the history of the island prior to European intrusion. Before Prospero came, the island was ruled...

The Tempest and William Shakespeare's Uses of Imagery

- a group ironically consisting of the very men who had conspired against Prospero - Antonio, the King, the Kings brother Sebastia...

Tragic Downfall of Othello

a Venetian and traduced the state, I took by ththroat the circumcis?d do And smote him thus" (Act V. ii. 334 - 352)...

William Shakespeare's The Tempest Featured in Tar Baby by Toni Morrison

as he, also, is an exile from civilization (12). Also like Prospero, Valerian exerts control over the rest of the characters (Walt...

Act Five, Scene I of William Shakespeare's The Tempest and Prospero's Resolution

In five pages this paper examines what is responsible for the resolution Prospero makes at the end of William Shakespeare's final ...

The Tempest by William Shakespeare and Prospero

In seven pages this paper analyzes the character of Prospero featured in William Shakespeare's final play and how this protagonist...

The Tempest by William Shakespeare and an Actor's Caliban Characterization

In five pages this paper discusses William Shakespeare's final play in an analysis of how Caliban might be depicted by an actor. ...

Shakespeare's Heroines Compared

In portraying Beatrice in this manner, Shakespeare shows insight into female psychology in that he realizes that women are frequen...

Lessons Learned Along King Lear’s Journey

blood. The Fool ironically exhibits more sense than Lear, and reprimands his master for what can only be described as a foolhardy...

Othello and Emilia's Statement 'Thou hast not half the power to do me harm/As I have to be hurt'

skitters to the old event with a new trigger. It does not matter that it is a new person, a new time, or a new love. The memory...

Psychotic Discourse Framing Analysis

were a child answering her mother (Ribeiro 80). The great playwright William Shakespeare was a keen observer of human behavior, ...

Relationship Between Henry IV and Prince Hal

that he has mercy as well as wisdom. None of this his father sees. King Henry IV tells his son in scene ii, Act III, that familia...

1952 Film Version of Othello

In five pages this paper considers the unique opening scene of Orson Welles' 1952 adaptation of William Shakespeare's famous trage...

Hamlet by William Shakespeare and the Sympathetic Character of Claudius

In five pages five scenes from the play are presented in an argument that Claudius is in fact a sympathetic character in William S...

A Macbeth Analysis

audience would see this dark scene as entrancing and somewhat frightening. We can envision this when we hear the first witch ask, ...

Act Three, Scene One of William Shakespeare's Macbeth

we see the same, though we know differently. Lady Macbeth, Lennox, Ross, the ladies and lords, and the attendants are not really i...

Act II, Scene IV of William Shakespeare's King Lear

it clear that his need for his retinue does not stem from physical need, but rather is a symbolic of his status in life, his autho...

How Othello is Admired by Others in the First Act, Third Scene of Othello by William Shakespeare

an outsider, a theme which is emphasized in most critical analyses of the play, Othellos identity as the Moor in Venice was "not a...

The Taming of the Shrew by William Shakespeare and its Theme of 'Taming'

strong man to dominate his wife. There were few constraints placed upon male behavior whereas for women it was quite the opposite...

Act 3, Scene 4 of William Shakespeare's Othello

immediately to fetch the handkerchief. Emilia, Desdemonas maid and Iagos wife, comments: 4. "Is not this man jealous?" (III.4.99)....

'Time is Out of Joint' in William Shakespeare's Hamlet

before he sees the Ghost and receives his deadly mission. When the Ghost appears to him, Hamlet voices his apprehension as to th...

Macbeth by William Shakespeare and Subversiveness

student researching "Macbeth" should understand that there is virtually no relationships in the play in which people or a group of...