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Essays 271 - 300

The Room by Harold Pinter Analyzed

Rose to continue to look after him and do things for him. He does not thank her for any of the things she does for him, implying ...

Feminist George Eliot

In her novels, Eliot seems to rail against the fact that a woman must be a certain type of person and act a certain way...

Interview with the Vampire by Anne Rice and Homoeroticism

It all started when Lestat, a very old vampire, gives Louis the choice to either die or have eternal life as a vampire (Berardinel...

Fritz Hippler's Film The Eternal Jew

the film to perfection. He suggested that the German people should take matters into their own hands and reclaim their country by ...

Act III, Scene 2 of Henry IV, Part One by William Shakespeare

Hal will give his full allegiance (Grossman 170). While the audience undoubtedly realizes, since the plot is drawn from English h...

Act II, Scene IV of William Shakespeare's King Lear

it clear that his need for his retinue does not stem from physical need, but rather is a symbolic of his status in life, his autho...

Halle Berry, Real Society and 'Hollywood Neverland'

the time, that of a Bond girl. With that in mind we see that Hollywood needed to start truly paying attention to her presence, and...

Archetypal Metaphors in A Clockwork Orange

who is so conditioned by the state that he is unable to survive in the real world. Finally, a violent past which he is unable to c...

How Othello is Admired by Others in the First Act, Third Scene of Othello by William Shakespeare

an outsider, a theme which is emphasized in most critical analyses of the play, Othellos identity as the Moor in Venice was "not a...

Act II, Scene ii of The Rover by Aphra Behn

other than the fact that in being a prostitute she had more control of her life as well as control of her economic situation. In T...

Fourth Act, First Scene of The Tempest by William Shakespeare

a rare and precious gem. Ferdinand does fall in love with Miranda, as was Prosperos plan all along, and is willing to stay with th...

Cinematic Techniques and Narrative in The Graduate

by the same name and so was translated to the silver screen. When this is done it is always a touchy business. Much of the motivat...

Mark Twain's Huckleberry Finn and Ethnocentrism

student prefers to cite a movie. Additionally, as this writer/tutor knows nothing of the students background, for this assignment,...

Juliet's Images in Film Versions of Romeo and Juliet by William Shakespeare

the second quatrain and then the third, on her own (Downing 126). In so doing, she overturns the Petrarchan convention wherein th...

William Shakespeare's Richard the Third and the Use of Pronouns

regarded as the "polite" or "formal" form of the second person (Garvey 12). The familiar use of "thou" is best illustrated throu...

Filmmaker Vittorio de Sica's The Bicycle Thief

influential example of neo-realism in the holistic sense and then examine this with reference to particular scenes and frames in t...

'Soldier of Love' Richard III in Act I, Scene ii of William Shakespeare's Play

for the deaths of her husband, Edward V, and her father, Henry VI. Nevertheless, he demonstrates himself as quite capable in prov...

Analyzing the Prose of Ophelia in Act III, Scene i, Lines 155 to 166 of Hamlet

whatever virtue she may still retain intact. Ophelia is naturally shocked and confused by Hamlets peculiar behavior and struggles...

Analysis of Act IV, Scene ii of Macbeth by William Shakespeare

cistern of my lust, and my desire / all continent impediments would oerbear...better Macbeth/ Than such an one to reign" (lines 62...

The Trial Scene in A Passage to India by E.M. Forster

as those which the British themselves aspire to. Mahmoud...

Banquet Scene and What Macbeth Actually Saw in William Shakespeare's Macbeth

prophetic apparitions make appearances(Shakespeare & Supernatural). One of the most climactic scenes in the play is the banquet ...

Iago's Shame in Act 3, Scene 3 of William Shakespeare's Othello

for the Moor, and he does so with artful and apparent reluctance. He plants the seed of doubt for Othello without ever maki...

Act II Scene ii of Hamlet Within the Play's Overall Context

In six pages the response of Rosencrantz and Guilderstern to Claudius and Gertrude, the response of Claudius to 'The Murder of Gon...

Act 2, Scene 4 of William Shakespeare's 'Measure For Measure'

Isabella's soliloquy directed to Angelo is the focus of this 3 page paper to determine its thematic relevance. There are no addit...

Analysis of Kate Atkinson's Behind the Scenes at the Museum

One of the chapters of this text is analyzed in terms of its discussion of the lives prior to the First World War of the protagoni...

Act I, Scene iii Analysis The Taming of the Shrew by William Shakespeare Lines 183-228

In five pages these lines are analyzed in terms of assessing Shakespeare's choices, his use of such literary techniques such as rh...

Act II, Scene II of Shakespeare's A Midsummer Night's Dream

and Oberon are the sovereign spirits of the woods and in their own right are exotic royalty. Yet again, the issue of appearances ...

Analyzing the Speech by Othello in Act II, Scene ii

A critical analysis of Othello's climactic speech is featured in this paper of two pages....

William Shakespeare's Titus Andronicus and Macbeth and Their Bizarre Banquet Scenes

In ten pages these pivotal banquet sequences as they appear in these two plays by William Shakespeare are examined. Eleven source...

Emilia's Statement in Act V, Scene ii of Othello by William Shakespeare

skitters to the old event with a new trigger. It does not matter that it is a new person, a new time, or a new love. The memory...