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Essays 2041 - 2070

David Lean's Film Version of Great Expectations and Confusing Appearances for Reality

In five pages this paper considers the 1946 film adaptation of Charles Dickens' novel by director David Lean in a discussion of ho...

Film Theory and Impact of Black and White Imagery

In a paper consisting of seven pages the influence of black and white imagery on cinema is examined in the context of Mathieu Kass...

Comparative Analysis of Francis Ford Coppola's Film Apocalypse Now and Joseph Conrad's Novel Heart of Darkness

appears to be an observer in many ways, merely retelling a tale, Willard is a man who is driven by some uncontrollable force. It i...

Conflict and Captain Benjamin Willard and Colonel Walter Kurtz in Apocalypse Now

This 8 page essay explores the conflict that characterizes the relationship between Willard and Kurt in Francis Ford Coppolas movi...

Jews in Hollywood and An Empire of Their Own by Neal Gabler

In five pages this paper examines how the Hollywood studio system was created by Jewish business moguls as considered in this 1988...

Cinematic Depiction of Unions in Hoffa, Wall Street, and The Grapes of Wrath

In five pages this paper examines how these films depict U.S. labor unions in an evaluation of whether or not management and labor...

Robert Rodriguez'a Movies Desperado, El Mariachi, Ethnicity and Hollywood

In nine pages this paper examines Hollywood's frequent sacrificing of ethnicity in a consideration of the Chicano depiction in the...

Cinema and Women

time the roles that are culturally defined and accepted change and the roles that women play in films generally reflect these chan...

Film Version of A Civil Action by Jonathan Harr and Expert Witnesses for the Plaintiffs

In five pages this paper examines the expert witnesses by the plaintiffs and how they were used in the film version of A Civil Act...

World War II Film The Best Years of Our Lives

three-time Pulitzer Prize winner. William Wyler was chosen as director, and an award-winning cast was assembled. It should be no...

D.W. Griffith's Birth of a Nation

In five pages the reasons why this silent film classic should be considered the greatest of all melodramas are presented. There a...

Female Subjectivity in the Films Cleo from 5 to 7 and Now, Voyager

Female subjectivity is the focus of a comparative analysis of these films in six pages. There are no other sources listed....

Cinema and Military Technology

In five pages this paper discusses the portrayal of nuclear warfare as it has evolved in films including Braveheart, Godzilla, Dr...

Comparative Analysis of the Novel and Film Versions of The Hunt for Red October

This paper contrasts and compares Tom Clancy's novel The Hunt for Red October with the film adaption in eight pages. Seven source...

Ulysses by James Joyce and the Heroic Ideal of Leopold Bloom

In five pages this paper discusses the differences in the heroic ideas presented in literature, art, and film contained within the...

Altman's The Player

This research paper discusses significant features of the Hollywood film industry as a business system by drawing on the movie The...

Comparison of Richard Loncraine's Film Richard III and William Shakespeare's The Tragedy of Richard the Third

The caricature representation of Richard in both film and play is discussed in ten pages. Nine sources are cited in the bibliograp...

Elizabethan Theatrical Drama Represented by the Film Shakespeare in Love

significant influence on the literature being written. Words, turns of phrases, double-meanings were all of the utmost importance ...

Media Law and People v. Larry Flynt Film

around the Supreme Court Case of Jerry Falwell v. Larry Flynt. A few months prior to Hustlers magazine interpretation of the prin...

Chinese Director Zhang Yimou's Western Film Elements

This paper examines director Zhang Yimou's commercial film success and the Western elements featured in his movies in 10 pages. F...

It's a Mad, Mad, Mad, Mad World, The Great Race, and Cinematic Slapstick

" or literally "slapping the stick"(Von Busack ppg). It is a physical humor, reminding us that we are physical beings in a real w...

Shaping History Through Cinematic Narratives

rather how it appears to the person that is hearing or viewing the story. Does the narrative appear to distort or change what ha...

Feminist Cinematic Theory and Psychoanalysis

In five pages this paper examines psychoanalysis' relevance to feminist cinematic theory in a consideration of the article 'Masoch...

Female Characters as Spectators in Early Cinema

This paper examines the heavily male-influenced film industry as it related to the roles played by female characters. The author ...

Film and Novel Versions of Day of the Locust

In three pages an analysis of Tod Hackett's character is the primary focus of this comparative novel and film analysis of Day of t...

Communication Skills Teaching and the Movie To Sir with Love

way to get a job and keep it. By treating the kids as adults and giving respect, he begins to get it back in turn, along with at...

Filmmakers Stanley Donen and Vincent Minnelli

In ten pages the directing styles of film musical directors Stanley Donen and Vincent Minnelli are contrasted and compared in term...

Orson Welles' 1952 Film Othello

Iago - played by Michael MacLiammoir Iago is roughly thrust into the cage, and by means of a creaking iron wheel and pulley, the ...

Critique of Stanley Kramer's Film Guess Who's Coming to Dinner

In eight pages this paper critiques the 1967 film in terms of history and the social changes the movie was attempting to address r...

Filmmaking and Ideology

In five pages this paper examines how ideology is depicted in films in a contrast and comparison of the animated 1950s Cinderella ...