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Essays 31 - 60

Much Ado About Nothing: The 'Comedy' of Scapegoats

This paper examines how scapegoats propel the comedy of William Shakespeare's play in the characterizations of Don John, Claudio, ...

Shakespeare and Jonson and Elizabethan Clowns

This essay pertains to William Shakespeare's "A Midsummer Night's Dream" and Ben Jonson's "Every Man in His Humor," and how each p...

Downfall of William Shakespeare's Tragic Hero Macbeth

with a trio of witch siblings (described in the text as the weird sisters), who issue this prediction to the Thane: THIRD WITCH. A...

Effects of Hubris on Tragic Shakespearean Heroes Brutus, Hamlet, and Othello

my cause, and be silent, that you may hear. Believe me for mine honor, and have respect to mine honor, that you may believe. Cen...

Scenes from Shakespeare

In five pages this paper discusses characters and themes in certain scenes from William Shakespeare's plays Troilus and Cressida, ...

Relationships and Love in 'Porphyria's Lover' by Robert Browning and Othello by William Shakespeare

This paper contrasts and compares how relationships and love are thematically represented in Robert Browning's poem and William Sh...

Shakespeare and Mythology

In five pages this paper examines William Shakespeare's use of mythology in such plays as The Taming of the Shrew, Twelfth Night, ...

Tragic Couples Romeo and Juliet and Othello and Desdemona

esteemed Senator Brabantio. She has maintained a childish naivet? about the world, because she has not seen much of it, beyond th...

Witches and Their Function in William Shakespeare's Macbeth

In six pages this paper examines the plot function served by the witches in this analysis of William Shakespeare's dark play. Thr...

Hamlet's 'Masks'

could say that the gaiety of the new court masks the secrets of the old one. Claudius as a supportive brother to the old king has...

Virginia Woolf’s Descriptions of Literary ‘Beacons’ Antigone and Desdemona Applied to Nora in Henrik Ibsen’s A Doll’s House

heroine is willing to risk her life by defying King Creon in order to give her warrior brother Polynices the proper burial he was ...

Comparative Analysis of Characters Mark Antony and Caius Cassius in William Shakespeare’s Julius Caesar

meant he was not "someone to take seriously" as a threat to his power (Derrick 14; McMurtry 41). Others seriously underestimate A...

Orson Welles' 1952 Film Othello

Iago - played by Michael MacLiammoir Iago is roughly thrust into the cage, and by means of a creaking iron wheel and pulley, the ...

Action or Inaction in William Shakespeare's Hamlet

In five pages this paper evaluates whether the protagonist of William Shakespeare's play represents a man of action or if inaction...

Act Five, Scene I of William Shakespeare's The Tempest and Prospero's Resolution

In five pages this paper examines what is responsible for the resolution Prospero makes at the end of William Shakespeare's final ...

Imagery in William Shakespeare's Hamlet

believing in ghosts was akin to presuming that Satan had taken on the appearance of the dead so as to overtly jeopardize the decea...

Hamlet is Not Mad

In five pages this paper examines the behavior and speeches of Prince Hamlet as presented in William Shakespeare's famous play and...

Hamlet by William Shakespeare and the Sympathetic Character of Claudius

In five pages five scenes from the play are presented in an argument that Claudius is in fact a sympathetic character in William S...

Shakespeare, Love, and Loyalty

In five pages this report examines the plays Love's Labor's Lost and A Midsummer Night's Dream in terms of William Shakespeare's d...

Comparative Analysis of Othello Play and Film

In five pages William Shakespeare's original play is contrasted and compared with Oliver Parker's 1995 cinematic interpretation. ...

Laertes and Hamlet

In two pages the relationship between Laertes and Hamlet is considered in a discussion of their similiarities and differences as r...

Queen Elizabeth and Richard the Third

"Come, Come, we know your meaning, brother Gloster; You envy my advancement, and my friends; God grant we never may have need of y...

Henry the Fourth, Part I by William Shakespeare and Prince Hal

In ten pages this paper presents a character analysis of Prince Hal as featured in William Shakespeare's historical play within th...

Macbeth and the Supernatural from a Critical Standpoint

begins to see things. Macbeth imagines that he sees a bloody dagger floating before him. This serves to show the state of mi...

Greatness of Hamlet by William Shakespeare

as it seems. Is Hamlets revenge motivated by a desire to avenge his fathers murder or is it sparked by the betrayal he feels over...

Symbolism in The Winter's Tale by William Shakespeare

This paper consists of five pages and discusses the symbolism that is evident in the title and throughout William Shakespeare's pl...

The Tempest by William Shakespeare and an Actor's Caliban Characterization

In five pages this paper discusses William Shakespeare's final play in an analysis of how Caliban might be depicted by an actor. ...

The Tempest and William Shakespeare's Uses of Imagery

- a group ironically consisting of the very men who had conspired against Prospero - Antonio, the King, the Kings brother Sebastia...

Hamlet by William Shakespeare and the Women's Roles

often "little more than a litany of abuse echoing and amplifying the indictments men level against her" (Corum 183). She is accus...

Tragedy of William Shakespeare's King Lear

Cordelia do? Love, and be silent" (Shakespeare I i). She is completely dismissed by her father, yet she still succeeds in becoming...