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Essays 211 - 240

Tragic Heroes Prince Hamlet and Willy Loman

In six pages this paper examines the tragic heroes represented by William Shakespeare's title protagonist Hamlet and Willy Loman i...

Disguise in Three Comedies by William Shakespeare

In ten pages this paper examines how disguise is used in a comparative analysis of William Shakespeare's The Merchant of Venice, M...

Queen Elizabeth and Richard the Third

"Come, Come, we know your meaning, brother Gloster; You envy my advancement, and my friends; God grant we never may have need of y...

Iago's Character in William Shakespeare's Othello

In five pages this paper examines how Iago is able to psychologically manipulate others in this character analysis of the antagoni...

Imagery in William Shakespeare's Hamlet

believing in ghosts was akin to presuming that Satan had taken on the appearance of the dead so as to overtly jeopardize the decea...

Act Five, Scene I of William Shakespeare's The Tempest and Prospero's Resolution

In five pages this paper examines what is responsible for the resolution Prospero makes at the end of William Shakespeare's final ...

Historical Literature and Family Dynamics

In five pages this report examines how family dynamics were portrayed in epic literature in a consideration of Sappho's poetry, Ar...

Comedy of Errors by William Shakespeare

In seven pages this paper discusses the emotional mix that is represented in William Shakespeare's Comedy of Errors. Four sources...

William Shakespeare's A Midsummer Night's Dream and Moon Symbolism

In five pages this paper discusses the significance of the moon symbolism in this analysis of William Shakespeare's comedy A Midsu...

Iago and Hannibal Lecter Evil Characters

In three pages these evil characters from William Shakespeare's Othello and Thomas Harris's Silence of the Lambs are compared. Th...

Marx Brothers' Duck Soup and King Lear by William Shakespeare

In five pages this report compares Groucho Marx' character Rufus T. Firefly in the 1933 film Duck Soup with William Shakespeare's ...

Hamlet by William Shakespeare and the Sympathetic Character of Claudius

In five pages five scenes from the play are presented in an argument that Claudius is in fact a sympathetic character in William S...

Shakespeare, Love, and Loyalty

In five pages this report examines the plays Love's Labor's Lost and A Midsummer Night's Dream in terms of William Shakespeare's d...

Gloria Naylor's Mama Day

In five pages this paper assesses the literary greatness of Mama Day by Gloria Naylor in comparison with William Shakespeare's The...

Hamlet's 2 Sides The Two Sides of Hamlet, Before and After the Appearance of His Father's Ghost

In eight pages this paper analyzes William Shakespeare's most famous protagonist before his father's ghost's appearance and afterw...

Good and Evil in a Critique of Macbeth

Good and evil in William Shakespeare's Macbeth are a main source of three literary critiques. This paper offers a tutorial lesson ...

1952 Film Version of Othello

In five pages this paper considers the unique opening scene of Orson Welles' 1952 adaptation of William Shakespeare's famous trage...

Business Practices in Early History

resulted from the Spartan takeover of Athenian silver mines; therefore, the need for the minting of replacement, silver-plated bro...

New York Mob Territory Setting for Macbeth by William Shakespeare

Back in the old country, the Sicilian Catholics had placed great significance upon supernatural messages and prophecies. When Mac...

Tragic Downfall of Othello

a Venetian and traduced the state, I took by ththroat the circumcis?d do And smote him thus" (Act V. ii. 334 - 352)...

Plot Structure of Comedy of Errors by William Shakespeare

"A Midsummer Nights Dream" are both plays which rely heavily on this sort of humor, though they may be more refined in a sophistic...

Historical Importance of William Shakespeare's Works

book (Rubinstein 28). He apparently married Anne Hathaway in 1582, and their surviving children, both girls, were illiterate (Rub...

How Othello is Admired by Others in the First Act, Third Scene of Othello by William Shakespeare

an outsider, a theme which is emphasized in most critical analyses of the play, Othellos identity as the Moor in Venice was "not a...

Act II, Scene IV of William Shakespeare's King Lear

it clear that his need for his retinue does not stem from physical need, but rather is a symbolic of his status in life, his autho...

Queen Gertrude's Guilt in William Shakespeare's Hamlet

may wish to add that Claudius and Gertrude both attempt to find out what is bothering Hamlet, which only serves to make it more pl...

Odysseus, Hamlet, and the Supernatural

note his passion for such in the following lines when Hamlet responds to the facts presented by the ghost: "Haste me to knowt, tha...

Protagonist's Ruin in Macbeth by William Shakespeare

whetted it for a more impressive title. It was a seemingly innocuous meeting with a trio of witches that would sow the seeds of M...

Soliloquy of Hamlet and Philip Burton's Critical Essay

In five pages Philip Burton's critical essay on William Shakespeare's Hamlet is presented in an evaluation tutorial and summary fo...

Action or Inaction in William Shakespeare's Hamlet

In five pages this paper evaluates whether the protagonist of William Shakespeare's play represents a man of action or if inaction...

Orson Welles' 1952 Film Othello

Iago - played by Michael MacLiammoir Iago is roughly thrust into the cage, and by means of a creaking iron wheel and pulley, the ...