SEARCH RESULTS

YOU WERE LOOKING FOR :Treason in Henry V by William Shakespeare

Essays 541 - 570

Orchestral, Opera, and Dance Versions of William Shakespeare's Romeo and Juliet

tragedy and more of an exploration of childhood, innocence and youthful passion. In the course of pursuing their relationship, and...

Psychological Victimization of William Shakespeare's Protagonist in Macbeth

In five pages this paper examines how the witches and Lady Macbeth psychologically victimize Macbeth in this analysis of Shakespea...

Comparison of Medieval and Modern Views with William Shakespeare's Hamlet and Ben Jonson's Every Man

and turned" (Every Man - III, 2, pp. 48) and Hamlets "imagination" as he dwells on the experience of seeing his fathers ghost: "Th...

William Shakespeare's 'Romeo and Juliet' and Homosexuality

In ten pages this ppaer examines the homosexual thematic overtones that are evident both in Shakespeare's play as well as Franco Z...

Witches and Their Control in William Shakespeare's Macbeth

This paper consists of five pages and presents the thesis that the witches control Macbeth and that they are responsible for the b...

Analysis of William Shakespeare’s Sonnets 18, 73, and 130

While he adhered to Petrarchs use of fourteen lines, Shakespeare constructed sonnets containing three quatrains and a couplet. Hi...

Homosexuality and Friendships in William Shakespeare’s Twelfth Night

homoerotic desire" (114). Olivia and Maria embody this type of alliance. Maria is serving Olivia, literally and figuratively spe...

Metamorphosis of Change in William Shakespeare’s Macbeth

me in the day of success, and I have learned by the perfectest report they have more in them than mortal knowledge. When I burned ...

A Midsummer Night's Dream and William Shakespeare's Humorous Approach to Love

logic. The play consists of a quartet of couples - secondary characters King Oberon and Queen Titania, and Theseus and Hippolyta;...

Romeo's Character Development in William Shakespeare's Scene Changes in Romeo and Juliet

He and his cousin, are talking. Benvolio tried to stop the fight between the warring factions. He believed that to fight was ign...

Queen Gertrude in William Shakespeare's Hamlet

wicked wit, and gifts that have the power, So to seduce!--won to his shameful lust, The will of my most seeming-virtuous queen" (A...

Desdemona’s Innocence of Any Wrongdoing in William Shakespeare’s Othello

flies. Though that his joy be joy, / Yet throw such changes of vexation ont / As it may lose some color" (I.i.69-75). When Senato...

Villains in William Shakespeare’s Macbeth and Richard III

sensibilities: "The Prince of Cumberland! That is a step / On which I must fall down, or else oerleap, / For in my way it lies. S...

Four ‘Ghostly’ Commands in William Shakespeare’s Hamlet

not he possesses the courage to commit murder. His fear and susceptibility to depression often paralyze his movements to a point ...

Russ McDonald's 'Presentational Theater' and William Shakespeare's Coriolanus, Hamlet, and Othello

This paper consists of five pages in which Russ McDonald's 'presentational theater' theory is used to analyze illustrations from S...

Identity in William Shakespeare's Measure for Measure and Hamlet

In five pages this paper examines the power of identity in the similarities and differences that exist among characters Mariana in...

Analysis of William Shakespeare's Romeo and Juliet, Hamlet, and Sophocles' Oedipus

In six pages this research paper contrasts and compares these works by Shakespeare and Sophocles in terms of tragic themes and iro...

Lower Social Classes in William Shakespeare's Julius Caesar and A Midsummer Night's Dream

In eight pages this paper analyzes the plebeians featured in Julius Caesar and the rude mechanicals in A Midsummer Night's Dream i...

Coercion and Liberation in William Shakespeare's All's Well That Ends Well and The Tempest

In six pages this paper discusses character pairs and how they work within the structure of these two plays by William Shakespeare...

Injustice and Vengeance in William Shakespeare's The Tempest and Euripides' Electra

story of Agamemnon we are presented with a man who sacrifices his daughter, at the request or command, of the gods, in order that ...

William Shakespeare's Characters Macduff and Macbeth

Macbeth says only "We will speak further" (I, v, 71). The next time we see Macbeth he has a long soliloquy in which he enumerates...

Persuasiveness of Iago in William Shakespeare's Othello

lines of the opening curtain, Roderigo says "Thou toldst me thou didst hold him in thy hate" (I, i, 7), to which Iago replies, "De...

Closely Reading Ophelia's 'Mad' Songs in William Shakespeare's Hamlet Act IV, Scene V

where hours were spent singing songs and learning nursery rhymes. When Gertrude inquires as to how she is doing, Ophelia sings, "...

William Shakespeare's A Midsummer Night's Dream and the Supernatural

supernatural. Even before the humans enter the forest, and Oberon and Titania become involved in playing tricks on the humans thro...

Delayed Revenge in William Shakespeare's Hamlet

be condemned if he were killed at prayer. This speaks not only to the strength of religious belief at the time, but to the depth o...

William Shakespeare's Macbeth and Images of Night and Day

the characters and how they all go about trying to define the night and day while engaged in various activities. In the...

William Shakespeare's The Tempest and Its Subplot

a sort of revenge, is quite humorous as the two individuals are seemingly confused and wary. There is humor in the fact that Calib...

Elizabethan Society, Women's Role and Portia in William Shakespeare's The Merchant of Venice

equal pound / Of your fair flesh, to be cut off and taken / In what part of your body pleaseth me" (I, iii, 148-150). Antonio agre...

William Shakespeare's A Midsummer Night's Dream and the Character of Puck as Protagonist

Oberon and make him smile/ When I a fat and bean-fed horse beguile,/ Neighing in likeness of a filly foal:/ And sometime lurk I in...

William Shakespeare's Macbeth and the Human Capacity for Evil

surely not do anything to hurry it along, stating, "If chance will have me king, why, chance may crown me, Without my stir" (Shaks...