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Essays 301 - 330

Simon During's The Global Popular and the Pleasures of Viewers

climactic as an invading force, but may take place in the acculturation of one culture from another. Even today many of the Wester...

German Expressionism in Cinema

early years of the century. George Albert Smith was the first to experiment with composing scenes from individual shots and camera...

Shakespearean Film Productions and the Depiction of Women

a women faced with the types of situations that they face in his plays. Twelfth Night examples this most concisely. The plot of T...

Auteur Theory and Art Cinema

it is quite obviously going to have a lot of action throughout the film. However, too much action and the theme and characterizati...

Hitchcock's Use of Mise en Scene in Rear Window and Vertigo

lends great insight into the cinematic development of any film, especially the films of Hitchcock. In his movies, every shot has ...

Realism in Martin Scorsese's Film Raging Bull

In five pages cinematic realism is compared and contrasted with film noir and surrealism with the focus being how in the film Ragi...

Reviewing A Long Kiss Goodnight Film

In six pages the 1996 film directed by Renny Harlin, written by Shane Black and costarring Geena Davis and Samuel L. Jackson is di...

Three Decades of Cinematic Representations of Their Respective Times

In six pages this report analyzes how Gold Diggers of 1933, Casablanca, and Invasion of the Body Snatchers each represent their re...

Cinematic Portrayal of Aliens

that the alien is given a sexual orientation. In the second movie of this series the alien is a Queen whose main goal (besides des...

Cinematic Gender Representation

choice to live and abide by a certain set of unwritten expectations. The movie, Menage, directly challenges this idea. Powrie al...

The Apostle, Wise Blood, and Cinematic Faith

In ten pages this paper examines the types of faith represented in these films along with a comparison with Flannery O'Connor's no...

Cinematic Screwball Comedies and Their Evolution

In eighteen pages the screwball comedy is examined in terms of its history and evolution with a discussion of their intentions alo...

Cinematic Portrayals of Human Rights Offenses

In five pages this paper examines how public awareness of human rights' offenses was heightened by the shocking abuses featured in...

Comparing Rudyard Kipling's Prose with John Huston's Cinematic Narrative in The Man Who Would Be King

In five pages the voices used in these very different ways of telling the same story are compared and contrasted in terms of artis...

Cinematic Version of Anthony Burgess' A Clockwork Orange and the Problems Faced by Director Stanley Kubrick

In eight pages this paper discusses the problems filmmaker Stanley Kubrick struggled with while making his big screen adaptation o...

Strategic Cinematic Marketing

In eight pages this paper examines innovative marketing strategies for films with The Blair Witch Project as a recent example of a...

The Seventh Seal and Cinematic Symbolism of Director Ingmar Bergman

In five pages this paper analyzes the symbolism Ingmar Bergman employed for existentialist effect in his 1957 film The Seventh Sea...

U.S. Society and Cinematic Stereotypes of Hispanics

In five pages this paper considers how Hispanics have been stereotyped by American society and how cinema has perpetuated this dis...

Cinematic Depiction of Deviance

In eleven pages this paper discusses how deviance is cinematically depicted in such films as Leaving Las Vegas and One Flew Over t...

Cinematic Violence

The ongoing debate onf movie violence is examined from both sides in five pages with Pulp Fiction and Natural Born Killers among t...

Steven Spielberg's Cinematic Depiction of Alice Walker's Novel The Color Purple

In five pages this paper analyzes if Spielberg structurally changed Walker's novel in his film version and concludes that he does ...

Cinematic Depiction of African Americans

In fifteen pages this paper analyzes how African Americans in movies have evolved with the success of director Spike Lee among the...

Richard III Cinematic Adaptation by Laurence Olivier

In six pages Olivier's interpretation of Richard and the importance of the 5 soliloquies to the film are discussed. There are no ...

Cinematic Depiction of Unions in Hoffa, Wall Street, and The Grapes of Wrath

In five pages this paper examines how these films depict U.S. labor unions in an evaluation of whether or not management and labor...

Cinematic Contributions of Director Howard Hawks

In ten pages this paper examines Hawks' big screen contributions with an emphasis upon his screwball comedy classics Ball of Fire,...

It's a Mad, Mad, Mad, Mad World, The Great Race, and Cinematic Slapstick

" or literally "slapping the stick"(Von Busack ppg). It is a physical humor, reminding us that we are physical beings in a real w...

Novel and Cinematic Comparisons of The Great Gatsby

two depictions. Within the theme of The Great Gatsby, Daisy, as weak and dependent as she may be, knows the power she has over me...

Shaping History Through Cinematic Narratives

rather how it appears to the person that is hearing or viewing the story. Does the narrative appear to distort or change what ha...

Literary and Cinematic Portrayal of Slavery

In seven pages this paper considers how slavery has been portrayed in cinema, stories, and books. Eleven sources are cited in the...

Cinematic History of Filmmaker Francis Ford Coppola's The Godfather

In six pages this paper examines The Godfather in terms of how it represented gender, race, and class. Three sources are cited in...