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Essays 271 - 300

Act One, Scene Three of William Shakespeare's Othello

In six pages this pivotal scene and its impact on the characters as well as its tragic implications are analyzed. There are no ot...

Analyzing the Film Deliverance

In six pages critical cinematic theory is applied to director John Boorman's film released in 1972 and discusses how theme is depi...

Last Supper Painting by Tintoretto

In twelve pages this paper analyzes the Last Supper painting by Tintoretto with Leonardo's approach to the same scene among the to...

Filmmakers Stanley Donen and Vincent Minnelli

In ten pages the directing styles of film musical directors Stanley Donen and Vincent Minnelli are contrasted and compared in term...

Scenes from Shakespeare

In five pages this paper discusses characters and themes in certain scenes from William Shakespeare's plays Troilus and Cressida, ...

Act I, Scene iii of Othello by William Shakespeare

In five pages this report discusses how this particular scene cements the foundation for the rest of the play's action. Five sour...

1952 Film Version of Othello

In five pages this paper considers the unique opening scene of Orson Welles' 1952 adaptation of William Shakespeare's famous trage...

Act Five, Scene I of William Shakespeare's The Tempest and Prospero's Resolution

In five pages this paper examines what is responsible for the resolution Prospero makes at the end of William Shakespeare's final ...

Rhetorical Devices and Theme in Henry V

Rhetorical devices along with the theme is discussed. The focus of this paper is on Act 1, Scene 2 in this Shakespearean play. Th...

Macbeth's Dagger Soliloquy

This paper examines Macbeth's soliloquy in Act II, Scene I of Shakespeare's play. This five page paper has no additional sources ...

Postwar Great Britain's Political Landscape

context of specific subjects, such as domestic or foreign policy. With this is mind it is the electorate that ultimately p...

Theme and Crucial Scene in 'The Usual Suspects'

experience is one of a combination of mass confusion and inexplicable intrigue all at the same time. This dichotomy is likely the...

Emilia's Statement in Act V, Scene ii of Othello by William Shakespeare

skitters to the old event with a new trigger. It does not matter that it is a new person, a new time, or a new love. The memory...

Analyzing the Speech by Othello in Act II, Scene ii

A critical analysis of Othello's climactic speech is featured in this paper of two pages....

William Shakespeare's Titus Andronicus and Macbeth and Their Bizarre Banquet Scenes

In ten pages these pivotal banquet sequences as they appear in these two plays by William Shakespeare are examined. Eleven source...

Psycho Film Critically Analyzed

In thirteen pages Alfred Hitchcock's 1960 suspense masterpiece is analyzed in terms of effect, form, and function with a cinematic...

Hamlet by William Shakespeare and Interpreting Ophelia's Madness in the Fourth Act, Fifth Scene 3 Different Ways

In nine pages this paper examines how Victorian theater actress Helena Faucit, science fiction writer Isaac Asimov, and Shakespear...

Othello and Emilia's Statement 'Thou hast not half the power to do me harm/As I have to be hurt'

skitters to the old event with a new trigger. It does not matter that it is a new person, a new time, or a new love. The memory...

Scenes in the Film Easy Rider Analyzed

In five pages the 1969 film Easy Rider is analyzed in terms of the opening and commune scenes and what they reveal about the chara...

Doing and Knowing Vocation in Act I, Scene I of 'Doctor Faustus' by Christopher Marlowe

In this paper containing five pages the vocation selection and consideration of how Faustus determines what is worth knowing and w...

Children's Literature and How Adult Scenes Function

Inn 10 pages this paper analyzes the function adult scenes in children's literary works serve in Mary Poppins by P.L. Travers, Doc...

Models, Miniatures, and the Battle for Hoth in The Empire Strikes Back

Many of his early Star Wars films feature several shots of models and miniatures that convey realism as impressively and in less t...

CSI Personal Code of Ethics

1. the best in the moral philosophy of all ages and places; 2. the moral standards of Christendom; 3. the ethics of the Christian ...

A Day in the Life of a CSI

evidence" (Byrd, 2000). He or she does this by first establishing a perimeter to "restrict access and prevent evidence destruction...

Pro-Filmic Aspects of the Christening Scene in Francis Ford Coppola’s The Godfather

organ and the heavily accented voice of the priest, which allow for "not only contrasting the pious words of the protagonists with...

Susan Glaspell’s “Trifles”

men are following a "preset plan" in their search for evidence and are, therefore, convinced at the end of the play that they have...

Hamlet, Act IV Soliloquy

He says, "What is a man,/If his chief good and market of this time/Be but to sleep and feed? a beast no more" (IV.IV.33-35). But w...

Desdemona’s Innocence of Any Wrongdoing in William Shakespeare’s Othello

flies. Though that his joy be joy, / Yet throw such changes of vexation ont / As it may lose some color" (I.i.69-75). When Senato...

Turning Points

pride and sense that he must be completely honest, telling her that he has these feelings in spite of knowing she is inferior to h...

Mel Gibson’s The Passion of the Christ

as director. This Catholic perspective is also quite evident in the fact that Mary, the mother of Jesus, is the most prevalent c...