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Essays 1891 - 1920

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Corpse's Role in the Movies of Alfred Hitchcock

"should be allowed to people who are considered superior human beings" (Alfred Hitchcocks "Rope"). Their definition of a "superio...

Reinvention of Western Films

There are other types of westerns though as well. Some westerns depict life in Americas colonial times or may take place in terra...

Films One Night at McCool's, The Usual Suspects and Their Narratives

one central character which functions as the narrative object (Telotte, 2003). In other words, this character is typically define...

Luchino Visconti's Film Ludwig from a Sociopolitical Perspective

which attacks everything the ruling class stands for (Ludwig). The cinematic protagonist is the last Bavarian king (1845-1886), a...

Relationship Between Sacajawea and Lewis and Clark

follows the expedition of these men, going in sequential order to the actual places the "real" Lewis and Clark had many years befo...

Rewrting Western Civilization and Artistic Liberty of 'Captain Corelli's Mandolin' and 'Das Liebeskonzil'

construct of war from one in which emotions such as love have the power to overwhelm the realities of death and dying which surrou...

Cinematic Analysis of Children of a Lesser God

to hear the sound of my own voice, he says at one point, and indeed he does such a smooth and natural job of translation that the ...

A Review of the Film, Ocean's Eleven

In some scenes featuring very dark-skinned Bernie Mac, the only thing absolutely visible on the screen was the whites of the actor...

Social Construct of Gender Identity and Illusion

Indeed, boys tend to like football and rough house almost from birth where girls seem to mature into beings who like to talk on th...

Films A Place in the Sun, Double Indemnity, Suspicion and the Interaction Between Money, Love, and Murder

these nonverbal cues that reveal more than the spoken dialogue. Alfred Hitchcocks reputation as the cinemas "Master of Suspense" ...

Directors as Authors in the Movie Germany in Autumn

Peter Cloos, Rainer Werner Fassbinder, Alexander Kluge, Maximiliane Mainka, Beate Mainka-Jellinghaus, Edgar Reitz, Katja Rup?, Vol...

Superhero Films, Comics, and Cartoons and Their American Significance During the Second World War and the Cold War

Comics and cartoons which appeared in daily newspapers and magazines in the 1930s and 1940s were considered originally to be an ex...

Analysis of Literary and Film Versions of The Color Purple

a young girl who has only her inherent strength and her faith in God to help her survive. She is not especially intelligent, nor i...

Who's Afraid of Virginia Woolf? and Postmodernism

symbolic, it can be said to the juxtaposition of Martha to George(Clurman 12). Martha is high energy and ambitious, whereas George...

Freedom Theme in the Film Deliverance and the Social Contract of Jean Jacques Rousseau

freedom supersede mans other concerns in daily life. Before exploring philosophy in respect to freedom, a student writing on this...

The Secret History by Donna Tartt, Alfred Hitchcock's Rope and Education

who do not know how to live life and are brainwashed by books and academia" (Chan). In essence, the professor understands the more...

Symbolism of Tita's Blanket in the Novel and Film Versions of Like Water for Chocolate

This paper examines what Tita's blanket symbolizes in Laura Esquirel's novel Like Water for Chocolate and in its cinematic adaptat...

Commercially Successful Film Structuring

In twenty four pages the ways in which a successful commercial film are structured is examined in a consideration of Kevin Costner...

Melodrama and Gender Conflicts in Society and Film

This paper examines the efficacy of portraying the struggles of women in various films. This five page paper has six sources list...

Desert Hearts by Donna Deitch and Desert of the Heart by Jane Rule

In five pages this report compares Donna Deitch's 1985 film to Jane Rule's 1964 novel. There are no secondary sources listed....

Chantal Ackerman and Her Films Je, Tu, Il and Elle and the Eighties

attitude which pervades most of her works, even today, it can be stated. This is because feminism was asking women to redefine the...

1939 Film Mr. Smith Goes to Washington by Director Frank Capra

MGM and Warner Brothers, it had to rely on a limited group of performers. One of the most appealing was a tall, gangly young acto...

Cinematic Analysis of Pierrot le Fou

ethnology, he developed an affinity for film which he would then continue to spend his life committed to (Biography of Jean-Luc Go...

Cinematic and Literary Representations of Vanity

necromantic books are heavenly!" (Marlowe, Act 1, Li 40-50). Having made his decision to...

Film Version of the Musical Hair

In five pages this paper examines the social conflict represented by hair within the context of the film and how it may be perceiv...

Movie Marketing Aspects

In seven pages movie marketing approaches are examined in a comparative consideration of the methods used to market films Being Jo...

Tragic Hero Assessment of John Proctor as Portrayed in the 1996 Film Version of Arthur Miller's The Crucible

In five pages this character analysis of John Proctor and whether or not he was portrayed as a tragic hero in Arthur Miller's 1996...

Closure in The Films Double Happiness and Breathless

The writer compares and contrasts the narratives and the issue of closure in the films Double Happiness and Breathless. The paper ...

Jim Jarmusch's Film Dead Man

The role gives him room to act insolent and wry, high-flown and wised-up by turns, and Farmer makes the most of his chances, playi...

Music as a Character in Meet Me in St. Louis and 42nd Street

the plot development and story. For example, as the movie opens, various cast members pass the song "Meet Me in St. Louis" from o...