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Essays 241 - 270

The Tempest by William Shakespeare and the Concepts of Barbarism and Civilization

In seven pages this paper contrasts and compares how civilization and primitivism are presented in this final play by William Shak...

William Shakespeare's A Midsummer Night's Dream and Moon Symbolism

In five pages this paper discusses the significance of the moon symbolism in this analysis of William Shakespeare's comedy A Midsu...

Contemporary Women and Women in the Plays of William Shakespeare

In three pages this paper discusses contemporary women in comparison to how women were presented in the plays of William Shakespea...

Shakespeare, Love, and Loyalty

In five pages this report examines the plays Love's Labor's Lost and A Midsummer Night's Dream in terms of William Shakespeare's d...

Gloria Naylor's Mama Day

In five pages this paper assesses the literary greatness of Mama Day by Gloria Naylor in comparison with William Shakespeare's The...

Iago and Hannibal Lecter Evil Characters

In three pages these evil characters from William Shakespeare's Othello and Thomas Harris's Silence of the Lambs are compared. Th...

Comedy of Errors by William Shakespeare

In seven pages this paper discusses the emotional mix that is represented in William Shakespeare's Comedy of Errors. Four sources...

Comedy, Appearances, and Reality in Othello by William Shakespeare

only as a representation of misconstrued appearance. As time progresses, Othello - quite arguably the only character with a stell...

Laertes and Hamlet

In two pages the relationship between Laertes and Hamlet is considered in a discussion of their similiarities and differences as r...

Disguise in Three Comedies by William Shakespeare

In ten pages this paper examines how disguise is used in a comparative analysis of William Shakespeare's The Merchant of Venice, M...

Queen Elizabeth and Richard the Third

"Come, Come, we know your meaning, brother Gloster; You envy my advancement, and my friends; God grant we never may have need of y...

Iago's Character in William Shakespeare's Othello

In five pages this paper examines how Iago is able to psychologically manipulate others in this character analysis of the antagoni...

Tragic Heroes Prince Hamlet and Willy Loman

In six pages this paper examines the tragic heroes represented by William Shakespeare's title protagonist Hamlet and Willy Loman i...

Eurocentric Global Perspectives of The Tempest by William Shakespeare

coming to the island, as well as the history of the island prior to European intrusion. Before Prospero came, the island was ruled...

Act One of William Shakespeare's Macbeth and the Development of the Protagonist's Character

(I.iii.118). Banquo replies with a warning. He tells Macbeth that "instruments of darkness" frequently tell the truth in order to ...

Tragic Hero Othello

confidant. Of course, the tragedy is, Iagos intent is to destroy Othello. Secondly, the tragic hero holds fast to his ideas and ...

Director Michael Almereyda's Version of Hamlet

as being spoiled and self-centered. Furthermore, the directors decision to turn a number of Hamlets soliloquies into interior mono...

Outsiders Heathcliff and Hamlet

supposedly goes insane and they think that he has no power, no part in all else that takes place within the kingdom. Hamlet has pu...

Othello by William Shakespeare and Desdemona's Role

very easy to do so because she has been a kind and loving daughter. In truth, he had hoped that she would have married someone lik...

Luke's Gospel and Shylock's Experiences in The Merchant of Venice by William Shakespeare

Shylock loses. He loses, however, perhaps because he was unable to truly and adequately argue his case, and because he was a Jew, ...

Characters of Macbeth and Othello

man who feels isolated and alone in that he is different than those around him. He truly has no real friends and thus his wife ser...

'Soldier of Love' Richard III in Act I, Scene ii of William Shakespeare's Play

for the deaths of her husband, Edward V, and her father, Henry VI. Nevertheless, he demonstrates himself as quite capable in prov...

Portia's Presentation in the Third and Fourth Acts of The Merchant of Venice by William Shakespeare

/ Is an unlessond girl, unschoold, unpractisd; / Happy in this, she is not yet so old / But she may learn; happier than this, / Sh...

Women of William Shakespeare's Hamlet

and leave her father, or suffer through this madness with Hamlet. While she is still deciding, her father is killed and she is sur...

William Shakespeare's 'Romantic Revisions'

tragic reality. It comes as no surprise to note that one of the most powerfully, if not the most powerfully, tragic individual ...

The Tempest and William Shakespeare's Uses of Imagery

- a group ironically consisting of the very men who had conspired against Prospero - Antonio, the King, the Kings brother Sebastia...

Literature and the West's Medieval and Renaissance Cultures

Dantes (1999) Florentine origin, one first must ascertain the reasons why people are drawn to his work. Is it that poems are enjo...

Annotated Bibliography on William Shakespeare's Tweflth Night

Lamb, Mary Ellen. "Tracing a Heterosexual Erotics of Service in Twelfth Night and the Autobiographical Writings of Thomas Whythor...

Exercise in Dante's 'Inferno'

commit a sin where he would go to held under Dantes model, it seems that he might be found in Limbo. At the same time, the truth i...